We also thoroughly enjoyed slow-thinking Sidney Toler as a greedy prison warden and his tongue-twisting assistant, immaculate Jack LaRue as the king of the prison underworld. And not to forget Warren Hymer as a seeker for the perfect hiding place (a device re-used in Two-Way Stretch).
William A. Seiter was always a capable director, but Daring Young Man represents a considerable cut above his customary average. Take the remarkable sequence in which Dunn obtains a little parole. His streetcar is tailed by Hymer and Pawley who cut him down just as he reaches his girlfriend's apartment, the camera tracking away from his viewpoint just as she comes through the entrance.
Seiter's fast and snappy direction is lifted not only by fluid camera movement but by rapid dialogue delivery, an expert control of crowd scenes and quicksilver film editing.
All the players excel, with the possible exception of former silent star, Neil Hamilton, as the heroine's former suitor. Fortunately. he has only three or four scenes.
Production values are first-class and behind-the-camera credits likewise, although Mae Clarke is not always photographed to advantage. And it's a pity we don't see more of Dorothy Christy!