The Daring Young Man (1935) Poster

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10/10
The movie that inspired "Two-Way Stretch"
JohnHowardReid18 March 2007
What starts off as an amusing little romantic comedy (a lovely music score adding to its charm) develops quite startlingly into something else, namely a sort of precursor to the 1960 Peter Sellers comedy, Two-Way Stretch. In the first half of the movie we are treated to a delicious portrayal by Arthur Treacher, enacting a bore of uncommon magnitude. But the real joys of cameo portrayal occur in the latter half of the film where the screenwriters excel themselves in delightful raillery: "I didn't know he was a reporter. I thought he was all right. I thought he was just a criminal." We also meet such unforgettable characters as Stanley Fields with his "little paroles", and Paul Hurst delivering his lines in a wondrous imitation of W.C. Fields: "Get back in that cell there!" and "I wonder if we could be arrested?"

We also thoroughly enjoyed slow-thinking Sidney Toler as a greedy prison warden and his tongue-twisting assistant, immaculate Jack LaRue as the king of the prison underworld. And not to forget Warren Hymer as a seeker for the perfect hiding place (a device re-used in Two-Way Stretch).

William A. Seiter was always a capable director, but Daring Young Man represents a considerable cut above his customary average. Take the remarkable sequence in which Dunn obtains a little parole. His streetcar is tailed by Hymer and Pawley who cut him down just as he reaches his girlfriend's apartment, the camera tracking away from his viewpoint just as she comes through the entrance.

Seiter's fast and snappy direction is lifted not only by fluid camera movement but by rapid dialogue delivery, an expert control of crowd scenes and quicksilver film editing.

All the players excel, with the possible exception of former silent star, Neil Hamilton, as the heroine's former suitor. Fortunately. he has only three or four scenes.

Production values are first-class and behind-the-camera credits likewise, although Mae Clarke is not always photographed to advantage. And it's a pity we don't see more of Dorothy Christy!
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5/10
His choice: the jail of prison or the jail of marriage?
mark.waltz10 December 2014
Warning: Spoilers
When romance gets in the way of the job of two reporters, what are they going to do? James Dunn claims he wants no part of the old ball and chain, but even as he proclaims that to sweetheart Mae Clarke, he is proposing to her. The ultimate reporting assignment threatens to stand in their way, ironically on the very day he agrees to stand at the end of the aisle as she marches down it. That assignment puts him literally behind bars trying to catch the scoop on the crooked goings-on in the prison where warden Sidney Toler is getting away with a lot of shady practices, particularly in allowing certain special prisoners to be temporarily paroled which opens up a lot of questions. Of course, there's always the chance that his identity will be discovered, and also the chance that Clarke will turn back to wealthy lover Neil Hamilton who desperately wants to wed her.

This is a basically entertaining, but sometimes trying crime drama with comic elements that features one of the oddest screen performances ever, in this case by Toler as the warden who delivers his lines in such a wooden manner I was surprise that woodpeckers weren't attacking him. It seems at times that the script stretches out some of the scenes to make it unnecessarily longer. One memorable moment between Dunn and Clark has him trying to explain the difference between the various types of women but not wanting to risk offending her, can't explain. "Come on", I just yelled at him. "Say it! There are ladies and then there are females!" (to paraphrase "The Women"). Overall, its pretty predictable, but keeps up a fast pace to make it a nice discovery of a forgotten programmer and featuring stars mainly known for character parts.
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