The Lost City

A bizarre, demented, utterly berserk multi-chapter hoot that's a pure delight for camp enthusiasts, sci-fi movie freaks, and fans of the demented in any form. Wild, woolly adventures in a lost city in Africa which seems to have only three inhabitants. The story, if one can call it that, concerns an elderly captive scientist who elongates and lobotomizes natives (and can also make black people white), his beautiful daughter, the evil dictator who holds them captive, his assorted flunkies, a fiendish jungle priestess of some sort, a painfully earnest hero and his doltish, bumbling sidekick, and God knows what else. Weirdly acted, scripted by someone who must have been drunk out of his mind (or SOMETHING), and, oddly, has impressive special effects, given the time. Derivative, racist, whacked out, and utterly delightful.

All the other comments are really right on the mark about THE LOST CITY. For some of us it is a guilty pleasure, mainly because it is so outlandish. Trying to rate it is difficult, because on the one hand the acting is so atrocious and the racial attitudes are beyond belief, and the other hand, it is never boring, and has imaginative sets and Kenneth Strickfadden's electrical devices. Recently Jerry Frank's, nephew wrote about this film. Frank and Sam Baker, who played the 7 foot zombie Hugo became best of friends. It was heartwarming to read how in those days, the two actors, one Black and the other Jewish bonded. Baker referred to the film as "That old dog" but neither would disavow the film.

In the mid Fifties, Famous Monsters of Filmland published photos and stories about early horror and sci-fi serials. The Lost City serial was reviewed by Forrest Ackerman, FM's publisher, in which he told a story about the serial being run on early television in New York City. This was at a time when the networks were using old movies to fill up daytime schedules. As the story goes, the kids were so frightened at seeing black natives being turned into giant zombies with wide-eyed expressions and menacing grins, that protests were made to the station running the serial. The station discontinued the serial viewings. This story found its way into a couple of movie reference books. A serial historian checked out the story and found no mention anywhere that it either ran or was discontinued due to criticism. The serial has become a classic among fans because of its outdated racism and because it featured George Hayes, who became "Gabby Hayes" in Roy Rogers westerns. It also featured familiar B actors Kane Richmond, Claudia Dell and William "Stage" Boyd. Boyd was a B actor whose infamous claim to fame was that he once arrested for having illegal liquor at a party in his house during Prohibition. When the story was published in the paper, a photo of another William Boyd, whose stardom was on the rise. The studio where Boyd was working released him on the morals clause, even though he was not guilty. It may have been at this time that the William Boyd who was arrested took the name "Stage" to differentiate from the other Boyd. In any case, the innocent Boyd toiled in the B picture sweatshops until he was cast in a A western as Hopalong Cassidy.

As I saw it as it was intended to be seen at the Delta Cinema,in my home town of Hamilton.They showed a lot of older films as the Gentleman who ran the Cinema was money challenged. So they showed Serials Chapter by Chapter and the Lost City ws one that I saw Three or Four Times when I was young. This is a Serial that throws in everything but the Kitchen Sink,with Africans being turned into Giants,Slave Traders and a Tribe Of Spider Men. There are interesting people like Gabby Hayes,and Gino Corrado who was the Singer in the Three Stooges Microphonies.And Billy Bletcher as Gorzo,who was the voice of the Big Bad Wolf in the Three Little Pigs. And a young Kane Richmond,later on Spy Smasher. The acting is so over the top its enjoyable. I recommend this to anyone who loves that sort of off the wall lunacy in their films.

This is quite a project. There is every conceivable kind of plot development. The bad guys turn good; the good guys turn bad; they turn back again. It's about scientists messing with the realm of electricity; it's about Arab slave traders; it's about zombie black men being made bigger, their brains being canceled out. There's Gabby Hayes. The sidekick. When I was a child I sold enough subscriptions to the St. Paul Pioneer Press to go to the Minnesota State Fair and meet Gabby Hayes, along with several other boys. He was there with the late singer, Johnny Horton, and called us all a bunch of young whippersnappers. It was a high point in my life. Anyway, it was kind of cool to see the old guy, with his scruffy beard, playing a pretty significant role. I'm not going to take this apart. It wouldn't be fair. It had to have been made up from one day to the next. I wondered how long that old scientist would survive being picked up and carted around. Everything is so hammy. Still it's a bit much, even for a serial. By the end you feel like you've been on a roller coaster and need a program to figure the whole thing out. I did enjoy William "Stage" Boyd and his manic throwing orders around. Also, the strong man in the sparkly suit (who was continuously incompetent) was real kick. It certainly was an interesting few hours.