Charles Vanel and Annabella star respectively as a daring WW I aviator and his loving but neglected wife. Ostracized by the other pilots because of his recklessness and standoffishness, ... See full summary »
Opera star Enrico Ferraro, tired of his stressful schedule, changes trains for a Swiss vacation. When his presence is discovered at the peaceful lakeside resort, he changes places with a ... See full summary »
Opera singer Enrico Ferraro, tired of his too many engagements, jumps off the train escaping from his manager and changes to another going to the Riviera. He makes a friend and stops at a ... See full summary »
A French sleeping-car attending with an eye for the ladies hooks up with a wealthy widow and they get married. What he doesn't know is that she married him because she wants to stay in France. Complications ensue.
Police surround the apartment of apparent murderer Joe Adams, who refuses to surrender although escape appears impossible. During the siege, Joe reflects on the circumstances that led him to this situation.
Barbara Bel Geddes,
Danny is a content truck driver, but his girl Peggy shows potential as a dancer and hopes he too can show ambition. Danny acquiesces and pursues boxing to please her, but the two begin to spend more time working than time together.
Rudolf, Crown Prince of Austria, is fettered on all sides. He's bored; his father, the emperor, is domineering; his politics are more liberal than his father's, but he knows his views carry... See full summary »
Vautier, a rich surgeon, seduces the daughter of a fairground worker, using his money to silence the protests of her mother, then to eliminate any rivals for her affections. When her former lover shows up, Vautier forces her to choose between his money and her love for the younger man.
"Cette vieille canaille" is not a great film, but it contains a great central performance by Harry Baur. It's another of the "civilised ogre" roles that he played so often and so well, breathing humanity into what might have ended up, in the hands of a lesser actor, as a caricature.
As played by Baur, we can't help feeling a certain pity for Vautier. Like the financier in Maurice Tourneur's "Samson" (also played by Baur), this is a man who expects no love, or even fidelity, from the girl he has bought, but who knows the power of money and its hold on people. When Vautier perversely arranges a rendez-vous between his mistress and her former lover, it becomes more than a test of his power over her: it's a crucible of his whole cynical view of human nature.
Pierre Blanchar plays the younger man in this triangle with his usual nervous intensity. His scenes with Harry Baur are a highlight of the film and give us a taste of the more elaborate cat-and-mouse games played by the two actors in the 1935 adaptation of "Crime and Punishment".
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