A miner who was swindled out of his mine by a banker turns to robbing stagecoaches. Several years after he is tracked down and killed, his son comes to town to tangle with the banker.A miner who was swindled out of his mine by a banker turns to robbing stagecoaches. Several years after he is tracked down and killed, his son comes to town to tangle with the banker.A miner who was swindled out of his mine by a banker turns to robbing stagecoaches. Several years after he is tracked down and killed, his son comes to town to tangle with the banker.
Karl Hackett
- Williams
- (as Wm. Karl Hackett)
John Cowell
- Pete Brennan
- (as John W. Cowell)
Eddie Buzard
- Tim - as a Boy
- (as Eddie Buzzard)
John Elliott
- Judge Charley Miller
- (as John Elliot)
Edward Hearn
- Clayton - Henchman
- (as Eddie Hearne)
Edmund Cobb
- Cal Jepson
- (as Eddie Cobb)
Buck Bucko
- First Stagecoach Driver
- (uncredited)
Bobby Burns
- Bank Teller
- (uncredited)
Ed Cassidy
- Mine Guard
- (uncredited)
Frank Ellis
- Henchman Bill
- (uncredited)
Herman Hack
- Accident Informer
- (uncredited)
Art Mix
- Stagecoach Robber
- (uncredited)
Milburn Morante
- Storekeeper
- (uncredited)
George Morrell
- Trial Spectator
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThis film's earliest documented telecasts took place in Buffalo Monday 11 October 1948 on WBEN (Channel 4), in New York City Saturday 27 November 1948 on WATV (Channel 13), in Los Angeles Wednesday 21 December 1949 on KTSL (Channel 2), and in Chicago Tuesday 21 February 1950 on WGN (Channel 9).
- GoofsThe first time Tim Braddock enters Brennan's mine, there's a sign posted above the entrance that states 'Blue Ridge Mine'. Later, when Braddock and Brennan leave by the same way, the sign is no longer there. It appears and disappears again later in the story.
Featured review
This is a solid B-Western that's mostly carried by the plot, with some interest added by the dual role of Tim McCoy, as a father and son. The story has mostly familiar elements, but it moves at a steady pace, and the production gets decent usage out of generally inexpensive settings and other resources.
McCoy's first character is one of many men who have been swindled by the villain, a dishonest banker who is not above using illegal means, including violence, to seize valuable properties. The fraud victim is succeeded by his son, who carries on the battle against the banker and his cronies. Much of it is predictable, but there are some interesting developments and a couple of good sequences. The best scenes are toward the beginning. The first holdup sequence features some entertaining touches, and the subsequent chase also adds a couple of interesting details.
The father character, who is only in the first few scenes, is actually the more interesting of the two. McCoy also gives him quite a bit more personality and depth than he gives the son, who is the main character the rest of the way. Joan Woodbury is nice to look at as the daughter of his father's old associate, but her limited role doesn't give her very much to work with. The supporting cast features a few good moments from Paul Fix, as one of the banker's shady contacts.
There are some obvious ways that it could have been better. The son character is one-dimensional and is not really that interesting, at least when compared with his father. The editing is also rather ragged throughout the movie, which occasionally becomes a distraction. But the pluses are easily enough to make it entertaining and to be worth watching for the hour or so that it runs.
McCoy's first character is one of many men who have been swindled by the villain, a dishonest banker who is not above using illegal means, including violence, to seize valuable properties. The fraud victim is succeeded by his son, who carries on the battle against the banker and his cronies. Much of it is predictable, but there are some interesting developments and a couple of good sequences. The best scenes are toward the beginning. The first holdup sequence features some entertaining touches, and the subsequent chase also adds a couple of interesting details.
The father character, who is only in the first few scenes, is actually the more interesting of the two. McCoy also gives him quite a bit more personality and depth than he gives the son, who is the main character the rest of the way. Joan Woodbury is nice to look at as the daughter of his father's old associate, but her limited role doesn't give her very much to work with. The supporting cast features a few good moments from Paul Fix, as one of the banker's shady contacts.
There are some obvious ways that it could have been better. The son character is one-dimensional and is not really that interesting, at least when compared with his father. The editing is also rather ragged throughout the movie, which occasionally becomes a distraction. But the pluses are easily enough to make it entertaining and to be worth watching for the hour or so that it runs.
- Snow Leopard
- Jan 31, 2006
- Permalink
Details
- Release date
- Country of origin
- Language
- Also known as
- Homem Sem Medo
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $12,000 (estimated)
- Runtime1 hour
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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