A film crew goes to a tropical island for an exotic location shoot and discovers a colossal ape who takes a shine to their female blonde star. He is then captured and brought back to New York City for public exhibition.
Dr. Frankenstein and his monster both turn out to be alive, not killed as previously believed. Dr. Frankenstein wants to get out of the evil experiment business, but when a mad scientist, Dr. Pretorius, kidnaps his wife, Dr. Frankenstein agrees to help him create a new creature, a woman, to be the companion of the monster.Written by
John Oswalt <email@example.com>
Film Daily-New York City, Tuesday, May 7, 1935: Differences between the Roxy and the Rialto theaters as to which house to get "The Bride of Frankenstein" were settled yesterday when the management involved agreed upon a compromise under which the Arthur Mayer (the Rialto) operation will play another Universal Pictute, Werewolf of London (1935), while the Roxy gets "The Bride of Frankenstein." The settlement cancels an injunction which Mayer asked in the Federal Court, New York. Under the booking deal participated in by both theaters, the Rialto is play action pictures while the Roxy gets films described as family pictures. Mayer contended that "The Bride of Frankenstein" came within his classification and started proceedings against Howard S. Cullman, operator of the Roxy, and the Big U exchange. See more »
When the two hunters first discover the Monster in the hut with the blind hermit, one of them has a rifle and begins fumbling with it in an attempt to shoot, but drops it when the Monster knocks him down. He also loses his hat in the tussle. The hermit intervenes, but the hunters tell him that his 'friend' is a murderer and the Monster, hearing this, moves toward them again. The hunter then inexplicably has his hat back on his head and the rifle back in his hand and is hurriedly trying to cock it. As the Monster closes in, the camera pans back, showing the hunter now without his hat and rifle again and instead hiding behind a column. The quick scene of the hunter hurriedly trying to cock the rifle should be placed earlier in the sequence, when the hunters first appear in the doorway, and before the Monster knocks the hunter down. See more »
[Lord Byron looking out the window at a thunderstorm]
How beautifully dramatic! The cruelest savage exhibition of nature at her worst without.
[turns to face Mary and Percy Shelley, both seated]
And we three. We elegant three within. I should like to think that an irate Jehovah was pointing those arrows of lightning directly at my head. The unbowed head of George Gordon, Lord Byron. England's greatest sinner. But I cannot flatter myself to that extent. Possibly those ...
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The closing credits have the heading "A good cast is worth repeating". See more »
Without a doubt, this is one of the greatest horror movies of all time and the highlight of James Whale's career. The atmosphere evoked from the sets is near perfect, and although actually filmed on the Universal back-lot, you can believe that you are being led through a 19th century Bavaria. Although Karloff portrayed the monster only 3 times, this was undoubtedly the pinnacle of his career, and the film that most fans will remember him for. Mention should also be made of the excellent performance given by Ernest Thesiger as Doctor Pretorious. I've been interested in movies since I was 4 years old and have "Bride of Frankenstein" to thank for that. Superb.
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