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Bride of Frankenstein (1935)

Not Rated | | Drama, Horror, Sci-Fi | 6 May 1935 (USA)
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1:26 | Trailer
Mary Shelley reveals the main characters of her novel survived: Dr. Frankenstein, goaded by an even madder scientist, builds his monster a mate.

Director:

James Whale

Writers:

Mary Shelley (suggested by: the original story written in 1816 by) (as Mary Wollstonecraft Shelley), William Hurlbut (adapted by) | 2 more credits »
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Popularity
3,038 ( 52)
Nominated for 1 Oscar. Another 3 wins & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Boris Karloff ... The Monster (as Karloff)
Colin Clive ... Henry Frankenstein
Valerie Hobson ... Elizabeth
Ernest Thesiger ... Doctor Pretorius
Elsa Lanchester ... Mary Wollstonecraft Shelley / The Monster's Mate
Gavin Gordon ... Lord Byron
Douglas Walton ... Percy Bysshe Shelley
Una O'Connor ... Minnie
E.E. Clive ... Burgomaster
Lucien Prival ... Butler - Albert
O.P. Heggie ... Hermit
Dwight Frye ... Karl Glutz
Reginald Barlow Reginald Barlow ... Hans
Mary Gordon ... Hans' Wife
Anne Darling ... Shepherdess (as Ann Darling)
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Storyline

Dr. Frankenstein and his monster both turn out to be alive, not killed as previously believed. Dr. Frankenstein wants to get out of the evil experiment business, but when a mad scientist, Dr. Pretorius, kidnaps his wife, Dr. Frankenstein agrees to help him create a new creature, a woman, to be the companion of the monster. Written by John Oswalt <jao@jao.com>

Plot Summary | Plot Synopsis

Taglines:

I Demand A Mate! See more »

Genres:

Drama | Horror | Sci-Fi

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook

Country:

USA

Language:

English

Release Date:

6 May 1935 (USA) See more »

Also Known As:

The Bride of Frankenstein See more »

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Box Office

Budget:

$397,024 (estimated)

Cumulative Worldwide Gross:

$10,382
See more on IMDbPro »

Company Credits

Production Co:

Universal Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Noiseless Western Electric Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

The Monster's cheeks appear less hollow here because, in order to speak more clearly, Boris Karloff kept in the dental plate he removed in the first film. See more »

Goofs

When the two hunters first discover the Monster in the hut with the blind hermit, one of them has a rifle and begins fumbling with it in an attempt to shoot, but drops it when the Monster knocks him down. He also loses his hat in the tussle. The hermit intervenes, but the hunters tell him that his 'friend' is a murderer and the Monster, hearing this, moves toward them again. The hunter then inexplicably has his hat back on his head and the rifle back in his hand and is hurriedly trying to cock it. As the Monster closes in, the camera pans back, showing the hunter now without his hat and rifle again and instead hiding behind a column. The quick scene of the hunter hurriedly trying to cock the rifle should be placed earlier in the sequence, when the hunters first appear in the doorway, and before the Monster knocks the hunter down. See more »

Quotes

[first lines]
[prologue]
[Lord Byron looking out the window at a thunderstorm]
Lord Byron: How beautifully dramatic! The cruelest savage exhibition of nature at her worst without.
[turns to face Mary and Percy Shelley, both seated]
Lord Byron: And we three. We elegant three within. I should like to think that an irate Jehovah was pointing those arrows of lightning directly at my head. The unbowed head of George Gordon, Lord Byron. England's greatest sinner. But I cannot flatter myself to that extent. Possibly those ...
[...]
See more »

Crazy Credits

In the opening and closing credits, "The Monster's Mate" is listed as being played by " ? " . Elsa Lanchester is only billed as playing Mary Shelley. See more »

Alternate Versions

Also available in a colorized version See more »

Connections

Featured in SexTV: Dark Desires: Sexuality in the Horror Film (2003) See more »

Soundtracks

Ave Maria (Op.52 No.1)
(1825) (uncredited)
Written by Franz Schubert
Played on violin by O.P. Heggie (dubbed). Also played in the score
See more »

Frequently Asked Questions

See more »

User Reviews

 
Bride of Frankenstein (1935) ****
14 September 2006 | by JoeKarlosiSee all my reviews

Reactions to this, James Whale's ageless masterpiece, are varied; some say it just could be the Greatest Horror Film Ever Made, some think it's just an overblown tongue-in-cheek comedy sham. Probably Whale himself would have been the first to label his picture a "farce", but count me among those who think it's a brilliant piece of work, well in consideration as one of the undisputed top-tier horror classics of any decade. It qualifies as horror, but mostly plays along more like a child's twisted storybook fantasy. It's renowned as one of the few movie sequels which may be considered even better than its original (in this case, that would be James Whale's 1931 FRANKENSTEIN). While I think both films are excellent, with the first being more serious in tone than its follow-up, I'd give the hair's edge to BRIDE.

Boris Karloff returned to portray the Frankenstein Monster, and he gives what is easily one of his finest performances. Here, the scarred creature emerges from the charred windmill he was burned in, and falls into the unscrupulous hands of the demented Dr. Pretorius (Ernest Thesiger, note-perfect in a part he seems born to play). Pretorius was once a colleague of Henry Frankenstein, the monster's creator (Colin Clive), and now connives his way back into the disinterested Frankenstein's life just as he's about to wed his fiancé, Elizabeth (Valerie Hobson). This time, the idea is to fashion a female for the creature, and Pretorius enlists the hulking Monster as an anxious partner into his scheme.

Karloff gets to talk as the Monster in this film, and while the actor himself believed it was a mistake to give the creature speech, I must respectfully disagree; it made him even more pitiable and human. The film's most wonderful sequence features the wandering creation stumbling awkwardly into the hut of a lonely blind hermit, who cannot see and therefore is unable to judge the Monster strictly from his unnerving physical appearance. Instead, he offers the creature food, water, and a place to sleep, while teaching him the most basic forms of communication. It is a truly great cinematic moment.

There is very little to quibble about within this film (Valerie Hobson's hysterical Elizabeth comes the closest at achieving that), and Whale's passion for lightweight comic relief in his horror films works perfectly. Aside from Thesiger's Pretorius, much of that comes courtesy of Una O'Connor, who is a delight as Frankenstein's sniveling maid. Elsa Lanchester immortalized herself forever with her electrified hairdo as the Monster's intended Mate, and she is also seen early on in a dual performance prologue as the more dainty Mary Shelley, the author who "penned the nightmare". Franz Waxman's glorious score punctuates the wondrous proceedings. **** out of ****


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