Everyweek Newsmagazine editor Richard Kurt pursues psuedo-portait artist Marion Forsythe on her arrival from Europe after painting (and possibly being involved with) notables all over the ...
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A literary agent is pursued by the charming writer of a popular magazine while she attempts to sway one of her clients, a handsome but innocent college professor, to star in an upcoming movie based on his best-selling novel The Whirlwind.
John Hathaway is a professor of psychology at Digby College. His students are bored as he is with the students. He leaves college to go to New York to have his manuscript on jealousy ... See full summary »
Mary, a writer working on a novel about a love triangle, is attracted to her publisher. Her suitor Jimmy is determined to break them up; he introduces Mary to the publisher's wife without ... See full summary »
An ambitious barrister and his wife are targeted by blackmailers. In trying to save her husband, the wife becomes involved in a murder case her husband is trying. For his part, the husband's actions make him a suspect in a related murder.
In 1917 Lt. Bill Gordon is headed for France when he meets and becomes friendly with Joel Carter, niece of the Asst. Secretary of War. Finding out that he is an expert on codes, she gets ... See full summary »
William K. Howard,
Thornton Sayre, a respected college professor, is plagued when his old movies are shown on TV and sets out with his daughter to stop it. However, his former co-star is the hostess of the TV show playing his films and she has other plans.
Christopher Reynolds, an American flying with the R.A.F, is shot down over German-occupied Holland and is given shelter by a Dutch family. Posing as the insane husband of the daughter of ... See full summary »
Society Matron, Mrs. Crane, is selected as a juror in the trail of an ex-chorus girl, Yvette Gordon, who's accused of murdering her rich elderly husband. In court, Mrs. Crane is your ... See full summary »
Everyweek Newsmagazine editor Richard Kurt pursues psuedo-portait artist Marion Forsythe on her arrival from Europe after painting (and possibly being involved with) notables all over the continent. He convinces her to write her biography as a feature for his magazine. An old "beau" of hers also looks her up in New York; he is running for U.S. Senator from their home state, and is engaged to an influential publisher's daughter. He is fearful that Marion's tales could embarass him, so he tries to persuade her and Kurt to abandon the idea.Written by
Ron Kerrigan <firstname.lastname@example.org>
She's nearly forgotten today, but Ann Harding was a true cinema aristocrat in the '30s, a movie star who didn't look like one (she wore practically no makeup) but was lovely all the same. She didn't act like one, either. Here, she's a free- thinking artist (referred to by other characters as "Bohemian," and it's clearly an insult) whose projected tell-all autobio is going to put an old flame's political career in jeopardy, and she's so obviously more intelligent than any of her co- players that you can't take your eyes off her. Calm, ladylike, and vaguely amused by her surroundings, she's a lot like her contemporary Irene Dunne, but less forced. The movie, from a smart S.N. Behrman stage comedy, is a civilized affair where characters bat around words like "propinquity" without flinching and the slowish pacing feels right. Perfect it's not, particularly in the male casting: Robert Montgomery, as her perpetually dissatisfied editor, doesn't stint on the character's unlikability, which leaves one rooting only halfheartedly for their romance to alight. And Edward Everett Horton, as her compromised ex-beau, isn't believable for a moment, being so obviously... Edward Everett Horton. On the other hand, Edward Arnold, the screen's best Evil Plutocrat of the '30s, is here a quiet, sympathetic spurned beau, and completely charming. It's a pleasant journey back to a time where the general public was more sophisticated, though without Ms. Harding's presence, it wouldn't add up to nearly as much.
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