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Becky Sharp (1935)

Unrated | | Drama, Romance, War | 28 June 1935 (USA)
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Set against the background of the Battle of Waterloo, Becky Sharp is the story of Vanity Fair by Thackeray. Becky and Amelia are girls at school together, but Becky is from a "show biz" ... See full summary »

Directors:

Rouben Mamoulian, Lowell Sherman (uncredited)

Writers:

William Makepeace Thackeray (novel) (as Thackeray), Langdon Mitchell (play) | 1 more credit »
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Nominated for 1 Oscar. Another 1 win & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Miriam Hopkins ... Becky Sharp
Frances Dee ... Amelia Sedley
Cedric Hardwicke ... Marquis of Steyne
Billie Burke ... Lady Bareacres
Alison Skipworth ... Miss Crawley
Nigel Bruce ... Joseph Sedley
Alan Mowbray ... Rawdon Crawley
G.P. Huntley G.P. Huntley ... George Osborne (as G.P. Huntley Jr.)
William Stack William Stack ... Pitt Crawley
George Hassell George Hassell ... Sir Pitt Crawley
William Faversham ... Duke of Wellington
Charles Richman ... Gen. Tufto
Doris Lloyd ... Duchess of Richmond
Colin Tapley ... William Dobbin
Leonard Mudie ... Tarquin
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Storyline

Set against the background of the Battle of Waterloo, Becky Sharp is the story of Vanity Fair by Thackeray. Becky and Amelia are girls at school together, but Becky is from a "show biz" family, or in other words, very low class. Becky manages to insinuate herself in Amelia's family and gets to know all their friends. From this possibly auspicious- beginning, she manages to ruin her own life, becoming sick, broke, and lonely, and also ruins the lives of many other "loved ones". In the movie we get to see the class distinctions in England at the time, and get a sense of what it was like for the English military at the time of the Napoleonic wars. Written by Lisa Grable

Plot Summary | Add Synopsis

Genres:

Drama | Romance | War

Certificate:

Unrated | See all certifications »
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Details

Country:

USA

Language:

English | French

Release Date:

28 June 1935 (USA) See more »

Also Known As:

Vanity Fair See more »

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Box Office

Budget:

$950,000 (estimated)
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (re-issue)

Sound Mix:

Mono (RCA Victor High Fidelity System)

Color:

Color

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

When this film was re-released in 1945 by Film Classics, it was not deemed important enough to be reprinted in Technicolor and so prints were struck in the less expensive and far inferior Cinecolor process and this was the only way it was to be seen for the next 40 years, until the Technicolor restoration in the 1980s. See more »

Goofs

In the final scenes, Becky is living in a drab furnished room that is clearly shown to be on the second floor. However, once in the room, a look through a window shows people walking on the street - at the same level as the room itself. See more »

Alternate Versions

A restored version by Robert Gitt of the UCLA Film Archives and Richard Dayton of the YCM Laboratories was copyrighted in 1992 by the regents of the University of California. It ran 84 minutes plus a minute for the restoration credits. See more »

Connections

Version of Vanity Fair (2004) See more »

Soundtracks

Young Molly Who Lives at the Foot of the Hill
(1760) (uncredited)
Traditional
Sung by Miriam Hopkins at the cabaret
See more »

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User Reviews

(Techni)colorful dialogue
23 August 2002 | by rsyungSee all my reviews

I just had the pleasure of seeing the restored version of "Becky Sharp", and, like others who had taped this back in the bad old days of nearly monochromatic, public domain copies of this title, the improvement amounts to seeing an entirely different film. The use of color was striking and surprisingly well considered. As a writer, I found the dialogue delightfully rich in the manner of what were admittedly more sophisticated films of the 30's. Make no mistake, other than the admirable use of 3-strip Technicolor on its first feature film outing, this is no masterpiece--Mamoulian's name in the credits notwithstanding. But compared to today, with dialogue now largely dismissed as unnecessary to filmed "entertainment", it was brilliant. I could finally hear 90% of it, whereas in the old Cinecolor print, most of it was unintelligible. What pains me is that audiences seem unable (or unwilling) to enjoy dialogue that was meant to be listened to and appreciated on its own account. I heard nary a chuckle during any the witty ripostes of which Beck Sharp has its(and her) fair share of. A shame.


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