Mary Rutledge arrives from the east, finds her fiance dead, and goes to work at the roulette wheel of Louis Charnalis' Bella Donna, a rowdy gambling house in San Francisco in the 1850s. She...
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War veteran pilots Dizzy Davis, Texas Clark and Jake Lee are working in an airline. Dizzy is fooling with one of the younger pilot's girl-friend and due to this, he changes flights with ... See full summary »
The story of trench life during World War I through the lives of a French regiment. As men are killed and replaced jaunty Lt. Denet becomes more and more somber. His rival for the affection of nurse Monique is Capt. La Roche.
Mary Rutledge arrives from the east, finds her fiance dead, and goes to work at the roulette wheel of Louis Charnalis' Bella Donna, a rowdy gambling house in San Francisco in the 1850s. She falls in love with miner Carmichael and takes his gold dust at the wheel. She goes after him, Louis goes after her with intent to harm Carmichael. Written by
Ed Stephan <firstname.lastname@example.org>
The famous uncredited early David Niven appearance can require several viewings to spot. It is about twelve minutes into the film, as Mary is led along the street and Old Atrocity (Walter Brennan) says "Make way for a lady!". Niven, wearing a peaked cap with a coat over his left arm, says in his best Cockney accent: "Oright- oright!" and something about bars in Africa, as he leaves the saloon with the main group in front of him. See more »
Somewhat run-of-the-mill period piece combining characters and story points probably seen to better effect elsewhere. I could accept E. G. Robinson in his role as a swaggering casino owner in his puffy shirt and earring (and severe sidechops), and he leavens his evildoing with a little bit of pathos in his yearning for a woman who will love him for himself. Poor sap hasn't learned that having people shot in the back is a poor way to impress a woman. Miriam Hopkins does a fine job, mostly, but she sometimes uses her eyebrows to punctuate her dialog a little too much. Hawks should have told her to tone down the brow action a little. The opening sequence as the ship pulls into a fog-enshrouded San Francisco Bay is beautifully shot.
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