Anna Karenina (1935)

The married Anna Karenina falls in love with Count Vronsky despite her husband's refusal to grant a divorce, and both must contend with the social repercussions.

Director:

Clarence Brown

Writers:

Leo Tolstoy (from the novel by) (as Count Leo Tolstoy), Clemence Dane (screen play)

Stars:

Greta Garbo, Fredric March, Freddie Bartholomew

3 wins.

Cast

Cast overview, first billed only:
Greta Garbo	...	Anna Karenina
Fredric March	...	Count Vronsky
Freddie Bartholomew	...	Sergei
Maureen O'Sullivan	...	Kitty
May Robson	...	Countess Vronsky
Basil Rathbone	...	Alexei Alexandrovitch Karenin
Reginald Owen	...	Stiva
Phoebe Foster	...	Dolly
Reginald Denny	...	Yashvin
Gyles Isham	...	Konstantin Demitrievitch Levin
Joan Marsh	...	Lili
Ethel Griffies	...	Mme. Kartasoff
Harry Beresford	...	Matve
Sarah Padden	...	Governess
Cora Sue Collins	...	Tania

Storyline

This version of the Tolstoy classic lingers longer in Moscow during the weeks that follow the initial meeting of the starstruck lovers-to-be Vronsky and Anna Karenina. The story -- as it unfolds -- also focuses on Kitty, a young woman who is related to Anna's sister-in-law whose marital rift has brought Anna to Moscow. Until Anna shows up, Kitty had hopes of getting Vronsky, who is single and well connected, to propose to her. Ignored by Vronsky, Kitty turns her attention to another suitor, a man who seems to have a lot in common with Tolstoy.

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Plot Keywords:

infidelity | dysfunctional marriage | adultery | loveless marriage | bare chested male | 

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Genres:

Drama | Romance

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Certificate:

Passed

Details

Country:

USA

Language:

English

Release Date:

21 November 1935 (Hungary)

Also Known As:

Ana Karenina

Filming Locations:

California, USA

Box Office

Budget:

$1,152,000 (estimated)

Gross USA:

$865,000

Cumulative Worldwide Gross:

$1,439,000

Company Credits

Production Co:

Metro-Goldwyn-Mayer (MGM)

Technical Specs

Runtime:

95 min

Sound Mix:

Mono (Western Electric Sound System)

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

According to studio publicity records, cinematographer William Daniels, who had photographed all but one of Greta Garbo's first twenty pictures, made it a rule never to photograph Garbo with unflattering intermediate or full-figure shots-only closeups and long shots.

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Goofs

When Anna arrives in Dolly's room, they hold hands, which then changes in the next shot.

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Quotes

Vronsky: And the breath of Russia is sweet. And sweet over all the land, broods the soul of Russia. Do you remember Pushkin's poem?
Anna Karenina: You miss Russia. You miss home.

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Connections

Version of Anna Karénine (1912)

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Soundtracks

Eugene Onegin, Op. 24)
(1879) (uncredited)
Music by Pyotr Ilyich Tchaikovsky
Libretto by Konstantin Shilovsky, Pyotr Ilyich Tchaikovsky and Modest Tchaikovsky
Based on the novel by Alexander Pushkin
Opera Excerpts performed at the theater

User Reviews

Superb MGM production but let down by less than perfect casting.

Watching this movie you will see MGM at the height of its movie-making powers. The physical production is impeccable, the sets are amazing, the production design fantastic. The photography and all technical aspects are superb with the costuming and makeup being the very best that money could buy. All these aspects combine to make a very enjoyable production but the fatal flaw in this much condensed version of Tolstoy's classic is the casting. Frederic March brings no passion to the role of Vronsky and no-one could ever believe for a minute that Anna would give up her child and position for him. In fact it is even hard to believe that she would leave her husband at all given the totally magnetic performance by Basil Rathbone as Karenin. His is the most memorable character portrayal in the film and he acts the part with superb skill. Vronsky is immediately attracted to Anna as he watches her alight from a train and Garbo's face is suddenly revealed through a cloud of steam. This was quite a magical effect in the cinema as her face gradually appeared and filled the huge movie screen, but on video and a TV screen the effect is much diminished and her face appears rather large, plain and mask like. Garbo is also referred to as 'pretty' several times during the movie when 'attractive' would have been a better word. Her acting skills are beyond doubt however and by the climax one is genuinely moved when she watches the train pull out of the station and decides that life will no longer be worth living. You can almost read her mind in this scene which is photographed and scored to maximum effect and leaves an indelible impression.