Lamenting Thebian women are waiting for the men to come back from war. God Jupiter is attracted to one of them: Alkmene. He goes to earth and tries to seduce her as himself: an old man. ...
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Aspiring singer Susanne takes over for ham actor Viktor at a small cabaret in Berlin where he works a woman impersonator and per chance she's discovered by an agent, who thinks that she ... See full summary »
Prague in the 1860s: Balduin is a popular, handsome student, the best fencer in town, in amicable rivalry with his friend Dahl for the affections of Lydia, the innkeeper's niece. While the ... See full summary »
Lamenting Thebian women are waiting for the men to come back from war. God Jupiter is attracted to one of them: Alkmene. He goes to earth and tries to seduce her as himself: an old man. Failing in this, he disguises himself as Amphitryon (Alkemene's husband) and tries again. Next morning Amphitryon and his men come back from war; he suspects adultery and wants a divorce. Jupiter's wive Juno now also comes to earth and clears things up.Written by
jan onderwater <firstname.lastname@example.org>
Perhaps musicals were part of Dr. Goebbels' propaganda plan, and perhaps the Olympian gods and goddesses did not look like Aryan übermenschen, but here we do have an entertaining, high-gloss, musical comedy about the ancient Greeks and there are few enough films about them as it is. (Even if the Nazis were attempting to buy legitimacy by co-opting the wellspring of Western civilization.)
When I saw this film a couple of years ago, I actually thought I heard a couple of topical jokes slyly directed at the Nazis and assumed I was seeing the last gasp of some still independent liberal Weimar tradition. Maybe I was mistaken, and such a thing was no longer possible two years into the thousand-year Reich.
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