Theseus, Duke of Athens, is going to marry Hyppolyta, Queen of the Amazons. Demetrius is engaged with Hermia, but Hermia loves Lysander. Helena loves Demetrius. Oberon and Titania, of the ... See full summary »
The first day of spring has a profound affect on the Hilton family. The father, an accountant, finds himself unable to work, and when he tries to work, he is wooed by an actress whose taxes... See full summary »
Olivia de Havilland,
A serial killer has been killing beautiful women in New York and the new owner of a media company offers a high ranking job to the first of his senior executives who can get the earliest scoops on the case.
Rookie pitcher Francis "Ike" Farrell comes seemingly out of nowhere to help the Cubs go for the pennant. His idiosyncratic ways, which include excuses and alibis for everything, drive his manager and fiancee crazy in this baseball farce.Written by
Jerry Milani <email@example.com>
When "Alibi Ike" was first released to TV in 1956, the sequences involving the gamblers and their attempts to have Ike "throw" the game were practically eliminated, reducing the length of the film by 20 minutes, unnoticed on commercial TV. The appearance of "Lefty", the head of the gambling syndicate, was reduced to just one scene as a spectator in the stands. Additionally, Ike arriving late for a game, enters the ballpark in a delivery vehicle that is towing autos. In the 50s edited version, what appears to be a usual prank on Ike's part is actually the result of Ike fleeing the gamblers. See more »
In the final game at the end of the movie, the opposing team is constantly referred to as the Giants when their uniforms clearly show them as the Cardinals. See more »
Frank X. Farrell:
[Talking on the phone]
Hello, hello, operator! Hello, get me the tailor again! The tailor! The what? Alright then, get me the valet. I want my pants! My pants! He must be there, he's got my pants! Listen, listen, operator, I've got to meet somebody and I need those pants!
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The character of Alibi Ike was well known to the American public. There was not only Ring Lardner's short novel but a comic strip for a couple of years, with Ring Lardner as one of the strip's writers.
Lardner's prose was funny, but it was also an incisive exposure of the ignorance and bigotry of middle America of the 1920s. He was inditing a culture which was smug in its ignorance and prejudices. There is, of course, none of this in this Joe E. Brown comedy, designed mainly for Brown to do his familiar shtick while cruising along with a well used plot.
Warner Brothers was willing to bring social criticism into their films at this period (unlike the other studios), but they knew that it wouldn't work in a Joe E. Brown comedy. Brown's movies were designed for rural America (and were very successful), and rural America could laugh as Brown made fun of "citified ways", but they wouldn't have appreciated cogent criticism aimed at them. At least, they wouldn't have laughed.
So this is a fast comedy, pretty funny, especially for baseball fans and baseball historians.
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