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Wednesday's Child (1934)

Approved | | Drama | 26 October 1934 (USA)
A boy is miserable when his parents get divorced and can't seem to fit him into their new lives.

Director:

(as John Robertson)

Writers:

(from the play by) (as Leopold L. Atlas), (screenplay)
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Cast

Complete credited cast:
... Kathryn Phillips
... Ray Phillips
... Bobby Phillips
... Howard Benson
... The Judge
... Louise
... Keyes
... Charles
Richard Barbee ... Dr. Stirling
... Attorney for the Defense (as Frank Thomas Sr.)
Mona Bruns ... The Nurse
... Martha (as Elsa Jannsen)
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Storyline

Ten-year-old Bobby and a group of friends see Bobby's mother kissing a man not her husband. Despite serious concerns about Bobby, a divorce ensues and Bobby, although thoroughly disenchanted with his mother, is sent away with her where month after month despite all her efforts he grows more depressed, dreaming of reunification with his beloved father. On returning to his father at vacation, he finds him preoccupied with an impending second marriage. Bobby suffers a serious breakdown but is nevertheless packed off to military school. Written by Jasha

Plot Summary | Add Synopsis

Taglines:

From the Sensational Broadway Stage Success See more »

Genres:

Drama

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

|

Release Date:

26 October 1934 (USA)  »

Also Known As:

Apám felesége  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

(Turner library print)

Sound Mix:

(RCA Victor System)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Frank M. Thomas is billed in the opening credits as "Tom Franklin" (his stage name), but as "Frank Thomas, Sr." in the end credits. See more »

Connections

Version of Child of Divorce (1946) See more »

Soundtracks

Largo ('Going Home')
(uncredited) (1893)
from "Symphony No.9 in E- ('From The New World'), Op.95"
Written by Antonín Dvorák
Played on the bells at the Military Academy
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User Reviews

 
Portrait in Agony
2 May 2007 | by See all my reviews

Bobby Phillips (Frankie Thomas) is the collateral damage that results in a bitter divorce between Mom (Kay Francis) and Dad (Edward Arnold). Dad's older and travels a lot, Mom's regretful and totally focused on escape. Bobby goes through the intense grief that accompanies such a situation and the script heaps on additional sharp sticks in the eye. We watch Bobby (surrounded by his friends) discover his Mom with another man and later we squirm with him as he testifies at trial against one of his parents.

Post-divorce, we see additional grief heaped upon the adolescent Bobby by the hapless Mom and the oblivious Dad. The story is somewhat heavy handed, but overcomes underplaying (to the point of disappearance) by Kay Francis and overplaying by Edward Arnold, whose trademark laugh could have been meted out in much smaller doses here. To its credit, the script doesn't point the blame at one parent or the other, but focuses on how young Bobby deals with it all. The performance given by Frankie Thomas is somewhat uneven, I think,but he was given a lot of dramatic baggage to deal with and a director who seems to have been asleep at the switch much of the time.

Dave Durand, later of East Side Kids renown (?), is the only supporting player worth mentioning here, as he gives an entertaining and energetic performance as Bobby's school chum mentor. Everyone else seems to have had the life sucked out of them by the black hole of Kay Francis' malaise or caught whatever virus made Edward Arnold go into supernova mode periodically.

This movie deals a heavily stacked deck, but is still moving at times, mostly thanks to Frankie Thomas.


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