Ukikusa monogatari (1934)

A kabuki actor's mistress hatches a jealous plot to bring down her lover's son.

Director:

Yasujirô Ozu

Writers:

Tadao Ikeda, Yasujirô Ozu (story) (as James Maki)

Stars:

Takeshi Sakamoto, Chôko Iida, Kôji Mitsui

1 win.

Cast

Credited cast:
Takeshi Sakamoto	...	Kihachi
Chôko Iida	...	Otsune, Ka-yan
Kôji Mitsui	...	Shinkichi (as Hideo Mitsui)
Rieko Yagumo	...	Otaka
Yoshiko Tsubouchi	...	Otoki
Tomio Aoki	...	Tomi-boh
Reikô Tani	...	Tomibo's father
Rest of cast listed alphabetically:
Kiyoshi Aono	...	Sword trainer
Mariko Aoyama	...	Barber's landlady
Mitsumura Ikebe	...	Villager
Seiji Nishimura	...	Kichi, an actor
Mitsuru Wakamiya	...	Station attendant
Emiko Yagumo
Nagamasa Yamada	...	Maako, an actor
Munenobu Yui

Storyline

A troupe of actors comes to town, short on funds and bedeviled by bad weather, so they can't put on shows. Kihachi is the troupe's leader. He steals off every day to visit Otsune (an ex-lover) and their son, Shinkichi, who believes his father is a long-dead civil servant. Kihachi has been paying Shinkichi's tuition, and he's now at university. Kihachi's lover, Otaka, the troupe's lead actress, learns Kihachi's secret and plots to ruin Shinkichi and humiliate Kihachi: she offers money to Otoki, the troupe's ingénue, to seduce Shinkichi. Soon the boy is head over heels, and Otoki finds herself with feelings for him. Can this end well or is tragedy at hand?

---

Plot Keywords:

troupe | absent father | jealous lover | actor | ex lover | 

---

Genres:

Drama

---

Certificate:

Not Rated

Details

Country:

Japan

Language:

Japanese

Release Date:

January 1994 (USA)

Also Known As:

A Story of Floating Weeds

Company Credits

Production Co:

Shochiku Company

Technical Specs

Runtime:

86 min

Sound Mix:

Silent

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Quotes

Kihachi: Where are you going?
Otaka: Kamisuwa.
Kihachi: And you?
Otaka: No place in particular.

---

Crazy Credits

The film title and credits are placed before a backdrop of plain sackcloth. This would become a trademark of Yasujirô Ozu films.

---

Connections

Remade as Floating Weeds (1959)

User Reviews

an early masterpiece from Ozu

This film is full of the sensitive observation, the slow-building tragic emotion and the moral ambiguity of Ozu's later works. While eschewing the cheap tragedy that was already so fashionable in Japanese melodrama (you can imagine the story going in that direction for any other director), the ending leaves the viewer uncertain and unsettled, with only the vaguest hopes for all concerned.

Apart from the depiction of a rundown and pathetic acting troupe (it reminds me of Alan Mowbray's drunken Shakespearian actor in 'My Darling Clementine'), and the rural small-town atmosphere, what lingers on in the mind is the portrait of an extremely flawed man. Like the great male characters of American cinema, Ichikawa is decent but ruled by anger, regret, and a certain way of life. will Ichikawa ever really be able to change, or do justice to those he feels responsible for? But after all, actors will be actors...

In fact, if this film is to be criticized for anything, it should be done so for its lack of a really detailed look into the lives and profession of the actors. After all, Ichikawa's profession turns out to play such an important part, in the end, in the fate of his 'family'.

Ozu's direction of women (particularly Ichikawa's wronged, but vengeful, lover) is sensitive and truthful, while his his direction of children is, as always, well-observed and hilarious.