The story of trench life during World War I through the lives of a French regiment. As men are killed and replaced jaunty Lt. Denet becomes more and more somber. His rival for the affection of nurse Monique is Capt. La Roche.
War veteran pilots Dizzy Davis, Texas Clark and Jake Lee are working in an airline. Dizzy is fooling with one of the younger pilot's girl-friend and due to this, he changes flights with ... See full summary »
During the Great Depression, a wealthy banker throws away his wife's expensive fur coat; it lands on the head of a stenographer, leading to everyone assuming she is his mistress and has access to his millions.
Broadway director Oscar Jaffe (John Barrymore) is a bigger ham than most actors, but through sheer drive and talent he is able to build a successful career. When one of his discoveries, Lily Garland (Carole Lombard), rises to stardom and heeds the call of Hollywood, Oscar begins a career slide. He hits the skids and seems on his way out, until he chances to meet Lily again, on a train ride aboard the Twentieth Century Limited. Oscar pulls out all the stops to re-sign his former star, but it's a battle... because Lily, who is as temperamental as Oscar is, wants to have nothing to do with her former mentor.Written by
Dan Navarro <email@example.com>
Movie production took place during the first year of NAZI control of Germany. An early appearance of a swastika in a Hollywood production can be seen inside the Chicago stage door when the knight's armor is being removed. See more »
When the man kneels in front of Jaffe and calls him Maestro, the position of the man's hands change between shots. See more »
What are you talking about? That's not a contract - it's a coronation. Barrels of rubies, enormous carpets for your pretty feet, pearl and onyx bathrubs, slews of myrmidons at your beck and call... Come on, sign it now while the sap is flowing.
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I have seen Twentieth Century several times and even quote one of the great Barrymore lines: After me, she's mousing around with that boy?
Barrymore succeeds so well in this film since he is parodying himself. He exaggerates and the voice is used like a singer who scoops the bottom and then rises an octave or two. It is great fun to hear him ham-up the lines. Lombard matches him in her own fashion and together they create a great comedy team. Unfortunately it is a one-time gag: there are just so many times an actor can parody himself without repeating or ruining any serious moments he might try in another film. (--or herself as Tallulah learned when she tried to perform "Streetcar Named Desire").
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