A newspaper man, his ignored fiancée, and his former employee, a down on his luck reporter, hatch an elaborate scheme to turn a false news story into the truth in order to prevent a high-society woman from suing for libel.
After a four year absence, one time detective Nick Charles returns to New York with his new wife Nora and their dog, Asta. Nick re-connects with many of his old cronies, several of whom are eccentric characters, to say the least. He's also approached by Dorothy Wynant whose inventor father Clyde Wynant is suspected of murdering her father's mistress (his former secretary ).. Her father had left on a planned trip some months before and she has had no contact with him. Nick isn't all that keen on resuming his former profession but egged-on by wife Nora, who thinks this all very exciting, he agrees to help out. He solves the case, announcing the identity of the killer at a dinner party for all of the suspects.Written by
Myrna Loy (Nora Charles) and Cesar Romero (Chris Jorgenson) died only eighteen days apart, on December 14, 1993 and January 1, 1994 respectively. See more »
When Nick and the coroner look at the body through the Fluoroscope, the bullet, and a piece of shrapnel, appear as bright white. The Fluoroscope uses x-rays except it is viewed on a screen instead of film. Dense objects, such as bones, appear dark, as it appears in the movie. The bullet and shrapnel should then be even darker as it blocks even more of the x-rays. However, this would not have shown up well in the movies, so they were made bright white so the viewers could see them easily. See more »
Your daughter's here, Mr. Wynant. Mr. Wynant! Mr. Wynant!
Clyde Wynant, the thin man:
Haven't you got any more sense than to shout at me like that?
See more »
Opening credits are shown with the original novel by D. Hammett in the background. See more »
There's a story, perhaps apocryphal, that when Ian Fleming was first introduced to the actor who would bring his 007 to life in "Dr. No," his immediate reaction was a loud and emphatic, "Oh, NO! Anybody but HIM!" Luckily, of course, no one paid him any attention, and a largely unknown actor and former bodybuilder named Sean Connery was off and running toward stardom. Likely enough, had anyone thought to run the idea of William Powell as Nick Charles past Dashiell Hammett -- always assuming, somewhat blithely, that the author would have been sober at the moment -- his reaction would have been identical to Fleming's years later. Powell, insouciantly dapper and suave, almost as slender as the silly mustache he affected, was virtually the complete antithesis of Hammett's concept of Charles, the hard-drinking, two-fisted former New York detective who married an heiress much younger than he and yet somehow managed to remain uncorrupted by his good fortune. Yet Powell -- as would Humphrey Bogart several years later, when similarly physically miscast as Sam Spade in the third film version of "The Maltese Falcon" -- went on to make the character of Nick Charles so totally his own that even today, six films and almost sixty years later, it is well-nigh impossible to envision anyone else in the role. Powell was always at his best when playing opposite a strong leading lady -- i.e., Rosalind Russell, Carole Lombard, Irene Dunne -- yet he was never better than when paired with Myrna Loy as Nora in the six "Thin Man" films. Every bit his equal at the backchat and martini-tossing, Loy proved the perfect collaborator in making the Charleses lovely people to visit (but you wouldn't want their livers) time and time and time again. Particularly in this, the adaptation of Hammett's novel, which created the audience demand for the ensuing series. And which also shows that, even if you do consult the writer, it's not necessarily wise to give him/her final approval over casting.
28 of 41 people found this review helpful.
Was this review helpful to you?
| Report this