President Franklin Roosevelt appoints a theatrical producer as the new Secretary of Amusement in order to cheer up an American public still suffering through the Depression. The new ...
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Golden is a two-bit gambler who has promised wife Virginia he'll quit when he makes $200,000. When he fixes a fight he gets mobster Mossiter mad, then loses his fortune to him. He pawns his... See full summary »
Edwin J. Burke
Shirley's last film on her 20th Century Fox contract (aged 12). Her parents (Oakie, Greenwood) decide to retire from show biz so she can have a normal life. They are unwelcome in the small ... See full summary »
A poor girl falls for a wealthy young man. He invites her to his gala birthday party, but she doesn't have the right kind of dress to wear, so her family and friends band together to raise money to get her the proper dress.
President Franklin Roosevelt appoints a theatrical producer as the new Secretary of Amusement in order to cheer up an American public still suffering through the Depression. The new secretary soon runs afoul of political lobbyists out to destroy his department.Written by
Daniel Bubbeo <email@example.com>
Tess Gardella who appears in a "specialty number" in the film, and Sammy Lee, who choreographed it, previously worked together in both the 1927 original Broadway version of "Show Boat" and the 1932 revival. Tess Gardella, in blackface, played the African-American cook Queenie in both productions, which Lee choreographed. See more »
Now, Miss Monroe...
Oh, yes, step here a minute, will you, please... something I want to show you. There's one phase in this amusement campaign which I think you ought to understand. The zones in...
[overcome by her good looks, he stops]
Ah, of course I'm not.
I said I'm not beautiful.
Young woman, you're talking to Lawrence Cromwell... Lawrence Cromwell, the world's recognized authority on feminine beauty and charm. Do you mean to stand there and ...
[...] See more »
Only the scene featuring SHIRLEY TEMPLE singing the title tune is worth watching. Othersise, this has got to be one of the worst musicals ever to come out of the '30s.
The script is a mess, the editing is downright atrocious, the performances are flat, and nothing to keep your eyes open happens until Shirley bursts upon the screen with James Dunn and chorines in one of her most charming song-and-dance routines.
Believe me, the rest is worthless as entertainment and not even satisfying as a curiosity piece of the Depression era.
Let's face it. Shirley Temple became a star despite this mess of a movie and all because of one great number.
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