As the opening scroll tells us, Narcotic was "presented in the hope that the public may become aware of the terrific struggle to rid the world of drug addiction." The movie itself is a ... See full summary »
A woman returning home falls asleep and has vivid dreams that may or may not be happening in reality. Through repetitive images and complete mismatching of the objective view of time and space, her dark inner desires play out on-screen.
Don Maxwell is an ex-vaudeville ham, wanted by police, who has now found himself as the unlikely assistant to Dr. Meirschultz, a mad scientist in the business of reanimating corpses. Maxwell's gift of impersonation gets him and Meirschultz past the guards and into a morgue where they use a special serum to revive the corpse of a pretty young woman. But that's nothing. Dr. Meirschultz has a heart beating in a jar of solution and is eager to put it into a corpse that really needs it. Meirschultz gives his assistant a gun and advises him to commit suicide, so that he can put the heart in him, but Maxwell shoots and kills the scientist instead and hides the body. People will miss Meirschultz, Maxwell quickly realizes, but no one will miss his lowly assistant; and so Maxwell dons eyeglasses and a fake beard to become his onetime benefactor. The trouble is, he impersonates the mad doctor too well and goes crazy himself.Written by
The film contains intertitles, a few comment on the action in the film as they were used in silent films, but the majority, five of them, comment on the then prevailing descriptions of various mental illnesses: Dementia Praecox (now called Schizophrenia), Paresis (here used to refer to the latter stages of syphilis), Paranoia (actually listed as a noun "Paranoiac"), Manic-depressive Psychoses (now usually referred to as Bipolar Disorder), and Manias. See more »
The fighting cats at the undertaker's and the dog and cat fighting on the street, have been tied together with string that can be seen. See more »
The longer I live the more surprising things I see. Here's a movie from the '30's that has bare boobs, gore and a shot of a man popping a cat's eye out. I don't know if it was real--the cat didn't seem to mind much so I doubt it was.
This has the feel of an Ed Wood exploitation opus--all over the place story-wise (a guy impersonates a mad doctor to promote his own mad ideas and a lot of people aren't thrilled with it, and some end up dead). It's clearly an exploitation film--it takes place in one room and plot is forsaken in favor of grisly ideas and action, deception, slutty women and over-the-top acting. Like many movies from this era it's too slow and grainy for most people to enjoy and certainly too poorly made to recommend, and the rewards are slim. I'd keep the fast-forward handy and the alcohol too--the title placards that try to legitimize the movie by suggesting it's an essay on different forms of madness is pointless and irritating, really.
The best news is that it's short and there's more action than talking--too bad more movies aren't like that these days. Oh, and there's the oddity of an actress named "Phyllis Diller" being in it, no relation to the wild-haired 60's stand-up comic, of course.
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