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Manhattan Melodrama (1934)

Not Rated | | Crime, Drama, Romance | 4 May 1934 (USA)
The friendship between two orphans endures even though they grow up on opposite sides of the law and fall in love with the same woman.

Directors:

W.S. Van Dyke, George Cukor (uncredited)

Writers:

Oliver H.P. Garrett (screen play), Joseph L. Mankiewicz (screen play) | 1 more credit »
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Won 1 Oscar. See more awards »

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Cast

Complete credited cast:
Clark Gable ... Blackie Gallagher
William Powell ... Jim Wade
Myrna Loy ... Eleanor
Leo Carrillo ... Father Joe
Nat Pendleton ... Spud
George Sidney ... Poppa Rosen
Isabel Jewell ... Annabelle
Muriel Evans ... Tootsie Malone
Thomas E. Jackson Thomas E. Jackson ... Richard Snow (as Thomas Jackson)
Isabelle Keith ... Miss Adams (as Claudelle Kaye)
Frank Conroy ... Defense Attorney
Noel Madison ... Manny Arnold
Jimmy Butler ... Jim - as a Boy
Mickey Rooney ... Blackie - as a Boy
Shirley Ross ... Singer in Cotton Club
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Storyline

Orphans Edward "Blackie" Gallagher and Jim Wade are lifelong friends who take different paths in life. Blackie thrives on gambling and grows up to be a hard-nosed racketeer. Bookworm Wade becomes a D.A. vying for the Governorship. When Blackie's girlfriend Eleanor leaves him and marries the more down to earth Wade, Blackie harbors no resentment. In fact, their friendship is so strong that Blackie murders an attorney threatening to derail Wade's bid to become Governor. The morally straight Wade's last job as D.A. is to convict his friend of the murder, and send him to the electric chair. After he becomes Governor, Wade has the authority to commute Blackie's death sentence-- a decision that pits his high moral ethics against a lifelong friendship. Written by Gary Jackson <garyjack5@cogeco.ca>

Plot Summary | Add Synopsis

Genres:

Crime | Drama | Romance

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

4 May 1934 (USA) See more »

Also Known As:

El enemigo público número 1 See more »

Company Credits

Production Co:

Metro-Goldwyn-Mayer (MGM) See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (Turner library print)

Sound Mix:

Mono (Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

After John Dillinger was killed, William Randolph Hearst had the statement "A Cosmopolitan Production" removed from the credits of all prints; instead, producer David O. Selznick's and director W.S. Van Dyke's credits are repeated from the following card--thus their names appear twice in a row. The print in the Turner library is of this version. See more »

Goofs

When Snow enters the men's room at Madison Square Garden, we see him enter the room and subsequently begin to close the door. In the next shot, showing him reflected in the mirrors above the basin, he is once again in the act of walking through the door. See more »

Quotes

Spud 'Spuddie': But, Boss, I tink...
Edward J. 'Blackie' Gallagher: With what?
See more »

Connections

Referenced in Dillinger (1973) See more »

Soundtracks

Happy Times
(uncredited)
Music by Jimmy McHugh
Lyrics by Dorothy Fields
See more »

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User Reviews

 
Cutting no corners
13 July 2004 | by Michael BoSee all my reviews

'Manhattan Melodrama' may not have the stylistic finish to it to make it a great message movie about contemporary 30s issues, but it does go a long way towards that end, and is never less than engaging.

Clark Gable is the happy-go-lucky gangster Blackie who is being tried for murder by his boyhood best friend Jim, William Powell, a D.A. who has made it to governor of New York because of a murder done by Blackie, unbeknownst to Jim. On top of it all they both love the same woman, Myrna Loy.

Despite its melodramatic but never overwrought style 'Manhattan Melodrama' has sufficient weight and substance to make itself heard 70 years after the fact. It cuts no convenient corners in the description of the governor's sad plight of having to decide whether his friend should live or die, and it paints a wonderful and believable picture of Loy's character who does what she deems best. Powell delivers a multi-layered performance that has to count amongst his best, and Gable is irrepressible and delightfully amoral as the bad guy we're all rooting for.

Recommended, but please don't judge it by the first 20 minutes which are rather slow-moving, but still entertaining.


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