A man in London tries to help a counter-espionage Agent. But when the Agent is killed, and the man stands accused, he must go on the run to save himself and stop a spy ring which is trying to steal top secret information.
While holidaying in Switzerland, Lawrence and his wife Jill are asked by a dying friend, Louis Bernard, to get information hidden in his room to the British Consulate. They get the information, but when they deny having it, their daughter Betty is kidnapped. It turns out that Louis was a Foreign Office spy and the information has to do with the assassination of a foreign dignitary. Having managed to trace his daughter's kidnappers back to London, Lawrence learns that the assassination will take place during a concert at the Albert Hall. It is left to Jill, however, to stop the assassination.Written by
Apart from the opening and end credits, there is only source music in this movie (for example, music that can be heard by the characters), such as dance music in Switzerland and Wapping and the Benjamin cantata (with the rest of the concert on the radio). There is no underscoring music at all. See more »
The position of Mr. Lawrence's cigarette varies between shots when he is in the Tabernacle church. See more »
You know, to a man with a heart as soft as mine, there's nothing sweeter than a touching scene.
Such as a father saying goodbye to his child. Yeah, goodbye for the last time. What could be more touching than that?
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One of Hitchcock's best films, and entirely undervalued. I love most of Hitch's films. His bigger productions of the mid-1950s to the mid-1960s are probably best loved, but I really like his grittier, more reality-based films as well. During that period, The Wrong Man is almost entirely overlooked, despite being one of his greatest achievements. This kind of film was most common during his British career, where he had less money to work with. I myself am least familiar with the first chunk of the man's career, but I have seen enough of them. My favorite so far is definitely Sabotage (1936), which is another criminally underrated film. The first version of The Man Who Knew Too Much is a close second favorite. A terrorist group (led by Peter Lorre) kills a secret agent in Switzerland. Bob and Jill Lawrence discover that the group is planning to assassinate a foreign diplomat in London in the upcoming days, so the group kidnaps their daughter to keep them quiet. They're unwilling to tell the police about the kidnapping, and eventually take it upon themselves to find her. They have to do it quickly, for, if the diplomat is killed because they withheld information from the police, a second World War could rest upon their shoulders. The story isn't particularly complex, but Hitchcock's cinema is as spectacular as it ever was, while aiming for a low key. There are a dozen memorable scenes in the film, most notably the concert with the slowly revolving camera as Jill Lawrence scans the room for the assassin. And I love the realistic standoff near the end of the film, as the police slowly move citizens to safety as the terrorists shoot from the dark. The acting is also very good, with Edna Best (as Jill Lawrence) and especially Peter Lorre (how can you not love this guy?) standing above the rest. 10/10.
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