A couple stand indecisively on a bridge in Asakusa. Tsutae and Yoshiji have lost confidence and passion for their future as they get on the bus for Tsukishima and get off at Suzaki. Across ... See full summary »
The life of boisterous entertainer Texas Guinan is recalled from her poor childhood with a down-on-his-luck father to her reign as the Queen of the Night Clubs. Along the way, she also ... See full summary »
Arturo de Córdova,
Bea Pullman and her daughter Jessie have had a hard time making ends meet since Bea's husband died. Help comes in the form of Delilah Johnson, who agrees to work as Bea's housekeeper in exchange for a room for herself and her daughter Peola. Bea comes up with a plan to market Delilah's pancake recipe. The two soon become wealthy and as the years go on, their friendship deepens. Their relationships with their daughters, however, become strained. Ashamed of her mother, Peola seeks a new life by passing for white. Bea's love for her daughter is tested when she and Jessie fall for the same man.Written by
When Elmer first comes into the pancake shop on the boardwalk, Beatrice leans on the counter with one elbow. In the next wider shot, she's leaning on the counter with both elbows. See more »
Peola Johnson, Age 19:
[sobbing, at Delilah's funeral]
She worked for me, slaved for me. Always thought of me first. Never of herself.
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Reissue prints of this film, issued after Carl Laemmle's ouster and retirement from Universal, read "The New Universal Presents [Claudette Colbert and Warren William in 'Imitation of Life']" rather than "Carl Laemmle Presents [Claudette Colbert and Warren William in 'Imitation of Life']" See more »
The original theatrical release print of Imitation of Life featured different title cards, including a title card containing a brief prologue, which read: "Atlantic City, in 1919, was not just a boardwalk, rolling-chairs and expensive hotels where bridal couples spent their honeymoons. A few blocks from the gaiety of the famous boardwalk, permanent citizens of the town lived and worked and reared families just like people in less glamorous cities." When the film was reissued by Universal in 1938, the title cards were changed, and the prologue card was removed. All current prints of the film, including those used for the VHS and DVD releases, are struck from the 1938 re-release version. See more »
Nobody Knows de Trouble I've Seen
Traditional Negro Spiritual
Lyrics by Henry Thacker Burleigh
Played and sung by an offscreen chorus during the opening credits
Played as background music often See more »
People, people, why does everyone judge this movie confection through the looking glasses of 2006?? There was probably some "imitation of life" to the movie when it was made, no matter how silly or stereotypical it might have been, even for its time. If anything, this movie at least attempted to show two women in business being rewarded for their efforts and hard work. Yes, the 20/80 split when the pan cake business went incorporated might seem unfair now, but it was better than the 1950's film where Annie just waits on Ms. Lora, dolling out wisdom with a spoon full of sugar. I was much more perplexed why Jessie would be interested in a fish scientist who said he was 37 but looked more like 57!
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