With her pal Kitty, Eadie Chapman escapes from the sleazy roadhouse run by her mother and stepfather, only to become a showgirl. But her former milieu gave her a poor opinion of easy morals, and she plans to preserve her 'virtue' until marriage...preferably to a rich husband; while Kitty keeps falling for servants. Will playboy Tom Paige break down Eadie's resistance before his cynical father intervenes?Written by
Rod Crawford <email@example.com>
When Eadie is looking over the house with T.R. and T.R. Jr., they enter a dark room with large windows. When T.R. goes to turn on the lights, the light coming in through the windows goes out a couple beats before the room lights come on. See more »
[Dropping in on T.R. and Eadie]
Well, well, I've been looking all over Palm Beach for you. Mind if I join you?
T.R. Paige Jr.:
Yes, we want to be alone.
[Sits down at their table]
Well, I don't blame you! Prettiest girl in Palm Beach. You ought to see her in a bathing suit!
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THE GIRL FROM MISSOURI arrives in New York City knowing exactly what she wants: to amount to something solid by marrying a millionaire - without losing her virginity. With her knockout good looks she quickly catches the eye of the playboy son of a tycoon, but by staying true to her virtue will she also discover true love?
Jean Harlow sizzles in this excellent little comedy. With her platinum hair & gorgeous accouterments, she is a dazzler. But her beauty should not obscure the fact that she was also a very good actress. She has rightfully earned her spot at the very top of the Hollywood pantheon.
An excellent cast gives Harlow fine support: Lionel Barrymore as the wily old tycoon, wise to Harlow's ways; handsome Franchot Tone as his son, smitten with love; raucous Patsy Kelly, stealing her scenes as Harlow's sidekick; debonair Alan Mowbray, as a well-mannered English Lord; elderly Clara Blandick as Barrymore's feisty secretary; hearty Hale Hamilton as a rich man with an eye for the ladies; muscular Nat Pendleton as a lifeguard who catches Kelly's flirtatious eye; and Lewis Stone, unforgettable in a small role as a bankrupted businessman.
It should be noted that this film was produced soon after Hollywood's Production Code was instituted. A comparison with RED-HEADED WOMAN, made two years earlier, would be fascinating - in which Harlow's character goes after the same ends, but uses very different means.
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