Pop Clark is about to lose his baseball team, unless they can win the pennant so he can pay off debts. He hires ace player Larry Kelly to ensure the victory. As well as rival teams, ...
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A dead World War II bomber pilot named Pete Sandidge, becomes the guardian angel of another pilot, Ted Randall. He guides Ted through battle and helping him to romance his old girlfriend, despite her excessive devotion to Sandidge's memory.
In Nazi Germany in 1936 seven men escape from a concentration camp. The camp commander puts up seven crosses and, as the Gestapo returns each escapee he is put to death on a cross. The ... See full summary »
Pop Clark is about to lose his baseball team, unless they can win the pennant so he can pay off debts. He hires ace player Larry Kelly to ensure the victory. As well as rival teams, mobsters are trying to prevent the wins, and as the pennant race nears the end, Pop's star players begin to be killed, on and off the field. Can Larry romance Pop's daughter, win enough games, and still have time to stop a murderer before he strikes more than three times? Written by
Ron Kerrigan <firstname.lastname@example.org>
Fred Graham was working in the MGM sound department and also played baseball semi-professionally in his off-time. He was hired to tutor star Robert Young in baseball techniques. He was also hired to double Nat Pendleton in his scenes as a catcher, thereby beginning an almost 40-year career as an actor and stuntman. See more »
In a final scene, Young and Evans finally embrace and will soon have the kiss that ends this corny movie. But as they embrace, you see Robert Young's wedding ring on his hand. More than once. See more »
The Stars and Stripes Forever
Written by John Philip Sousa
Played by the stadium band on opening day See more »
Someone's trying to keep St. Louis's baseball team from winning the pennant by killing off the players!
No wonder this antique rarely if ever showed up on a Late Show. As a whodunit, the movie generates little suspense as a multitude of characters drift in and out of the meandering scenes. In fact, the plot with a shadowy character shooting players during the game is pretty contrived.
Then too, the occasional poorly done process shots, usually backgrounding Larry (Young), keep reminding you that this is after all only a movie. The badinage between umpire O'Toole (I think) and player Hogan about the former's eyesight gets tiresome even if it does turn poignant in the end. Then too, I don't know where director Sedgwick was during the confession scene, but as others point out, it has to be seen to be believed.
On the other hand, Young does a reasonable job emulating a big league pitcher and is his usual engaging self, while Evans (Frances) and Kelly (reporter Jimmie) outshine the third-rate material. As an old Cardinal fan from the days of Musial and Schoendienst, I did enjoy seeing shots of old Sportsman's Park packed to the rafters. Nonetheless, the movie just doesn't cut it, and not because of its creaky age.
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