Richard Field is a successful businessman who has become romantically involved with younger employee Diane Lovering, but he is unable to persuade his grasping wife to grant him a divorce out of his dysfunctional marriage. Diane meets dashing rancher Mike Bradley through his wise-cracking pal Johnnie on a South American ocean voyage, and they begin a shipboard romance that carries over to his Argentinian ranch. Diane decides to return to New York and tell Richard in person that she intends to marry Mike Bradley. When Diane gets there Richard surprises her with a wedding ring and the morning newspaper citing Mrs. Field is in Reno obtaining a divorce. Richard had to agree not only to a large monetary settlement but was forbidden to see his sons. Diane didn't have the heart to tell Richard about Mike and decides to marry him. Diane writes a "Dear John letter" to Mike explaining a calculated mercenary decision that she prefers the position and financial status that Field's can offer her ...Written by
In the opening scene, Joan Crawford's character, Diane Lovering, is shown sitting in the back of an open-cockpit racing boat, racing across New York harbor for an extended period. We see her get splashed and sprayed on from all different directions. Yet a moment later when the boat docks and Diane steps out, she is completely dry - not a drop of water anywhere on her, and her hair and clothing are perfectly neat. See more »
[Heard during Akim Tamiroff's kitchen scene] See more »
The basic love triangle is given star treatment and the stars are fun to watch.
The love triangle was and is a popular movie theme, so when Clark Gable and Joan Crawford are part of it, you can expect some good entertainment. They have very good chemistry together, perhaps because they were reportedly lovers offscreen. The third leg of the triangle is suave Otto Kruger, who never gives a bad performance, and there is also Gable's best friend, Stuart Erwin, who is there mostly for comic relief. I enjoyed the shipboard romance, which was neatly combined with some comedy, and included scenes with a young Mickey Rooney before his Andy Hardy days. I was surprised at the ending, which seemed to go against the Code.
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