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In 1745 a German princess, renamed Catherine, arrives to marry Grand Duke Peter of Russia, whom she initially likes. But his suspicious, unstable nature gradually estranges them, and Peter finds solace with pretty courtiers. Catherine invents her own (fictitious) lovers, temporarily improving matters. Alas, accession to the throne brings out the worst in Peter, and loyal Catherine is urged to assume power.Written by
Rod Crawford <email@example.com>
This film was included in the first syndicated television presentation of a package of major studio feature films on USA television; it premiered in Philadelphia Friday 9 July 1948 on WFIL (Channel 6), followed by Boston Sunday 18 July 1948 on WBZ (Channel 4), by Chicago Monday 26 July 1948 on WGN (Channel 9), by Cleveland Sunday 15 August 1948 on WEWS (Channel 5), by Baltimore Saturday 13 November 1948 on WMAR (Channel 2), by New York City Friday, November 26, 1948 on WPIX (Channel 11), by Dayton Sunday 6 February 1949 on WHIO (Channel 13), by Atlanta Monday 28 February 1949 on WSB (Channel 8), and by Cincinnati Friday 6 May 1949 on WKRC (Channel 11). The package consisted of 24 Alexander Korda productions originally released theatrically between 1933 and 1942. See more »
When Peter marries Catherine in a Russian Orthodox service, they respond to the the lines "Do you take this man/woman to be your lawful wedded husband/wife... until death do you part?" These lines are not part of a traditional Orthodox service. The bride and groom usually do not say anything during the service. See more »
Openng credits prologue: RUSSIA 1745
THE HUNTING LODGE OF GRAND DUKE PETER, HEIR TO THE THRONE. See more »
The drama and characters in this movie about "Catherine the Great" are generally pretty good, although often non-historical, and the atmosphere is often quite good. The settings and many of the details were crafted with care, and apparently with ample resources available.
Elisabeth Bergner often gives distinctive, sometimes unusual portrayals of her characters, and this is no exception. Yet Catherine was such a complex figure that it's almost a moot point as to how accurate Bergner's portrayal may be, especially since the story here is mostly concerned about her younger days, before she became Empress. Bergner definitely makes Catherine interesting and worth caring about.
The story itself is interesting, and though it should not be viewed as accurate history, as a movie it works well enough, and sometimes it works quite well. As Peter, Douglas Fairbanks, Jr. gives his character a nature that is probably quite different from the historical Peter, but in itself it is a believable and effective portrayal.
The story of the ongoing intrigues involving Peter, Catherine, Elizabeth (a well-cast Flora Robson), and others, has some good moments. The historical situation was complicated, and it lends itself easily to a movie adaptation. The settings work well in conveying both the historical period and also the atmosphere of plots and counter-plots. The movie as a whole was overshadowed, even in its own time, by other features on the same subject, but it is still a good effort that is worth watching.
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