Alcoholic newspaperman Steve Bramley boards the San Capador for a restful cruise, hoping to quit drinking and begin writing a book. Also on board are Steve's friend Schulte, a private ...
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Two American soldiers are captured by the Germans on the Western Front during World War One and escape a POW camp only to stumble into further life-threatening adventures when they come across an Arabian king's daughter while on the lam.
In a European kingdom, Princess Orsolini is to have a state wedding, arranged by her mother the Queen, but she is in love with Captain Kovacs of the horse guards. She is forced to break off... See full summary »
Catherine Dale Owen,
The stooges are mistaken by a gangster for the "Three Horsemen of Boulder Dam", famous football players. Hired to play for his team, they blow the big game and get it in the end. Lucille Ball has a nice part as a gun moll.
Alcoholic newspaperman Steve Bramley boards the San Capador for a restful cruise, hoping to quit drinking and begin writing a book. Also on board are Steve's friend Schulte, a private detective hoping to nab criminal Danny Checkett with a fortune in stolen bonds. Steve begins drinking, all the while observing the various stories of other passengers on board, several of whom turn out not to be who they seem to be.Written by
Jim Beaver <firstname.lastname@example.org>
When the ship docks for the final time at the end of the film, stock footage is used of the liner "Olympic" (name visible on bow) being pushed by tug toward the pier. "Olympic" was one of the famous "three sisters", the others being "Titanic" and "Britanic". Unlike the ill-fated sisters however, "Olympic" had a long service life until being scrapped about 1937 and had the nickname "Old Reliable". See more »
Right after the stern line is cast off, showing us the ship's starboard side is at dockside, the Captain (Walter Connolly) orders the helm, "Hard to starboard" - which would send the ship right back into the dock. See more »
Lewis Milestone, ace director-for-hire, seems to have been having a terrible year in 1934: between the fascinating train wreck of HALLELUJAH I'M A BUM and this one, he seems to have, temporarily at least, lost his way.
Anyway, this picture is another fascinating failure because while there are many wonderful performers and performances in it -- Jack Gilbert, who would die shortly, was not the only actor whose career was on the slide and thus available on the cheap: Victor McLaglen and Wynne Gibson undoubtedly did not command as much money as they would have a few years earlier. Everyone gives fine performances, but they never quite come together as a whole, the way GRAND HOTEL does with its sense of fatality. THE CAPTAIN HATES THE SEA remains a series of vignettes linked by location. Perhaps too much landed on the cutting room floor.
Others have commented on Gilbert, so let me note one of my favorite talents behind the camera: Joseph August. In a third of a century as a director of photography, from William Hart westerns in the 'Teens through PORTRAIT OF JENNIE, he showed you beauty with every shot, and never -- or rarely -- so that you noticed the work that went into it. His traveling shots moved only to tell a story, his compositions focused your attention where it should be, his lighting let you see peoples' faces -- take a look at the Three Stooges, away from the flat light that they worked in for all their shorts. They are suddenly human beings for their few scenes here -- and August was one of the masters of framing. If you have the patience for a second viewing, notice how windows, plants, people, every detail changes the effective shape of the frame, often to superb psychological purpose.
To sum up, this movie as a whole does not work -- normally I would rate it a five out of ten, as another mediocre, derivative work. But the talent on display makes it substantially better than average.
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