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The Black Cat (1934)

Not Rated | | Adventure, Crime, Horror | 7 May 1934 (USA)
American honeymooners in Hungary become trapped in the home of a Satan-worshiping priest when the bride is taken there for medical help following a road accident.

Director:

Edgar G. Ulmer

Writers:

Edgar Allan Poe (suggested by a story by), Peter Ruric (screenplay) | 2 more credits »
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Cast

Complete credited cast:
Boris Karloff ... Hjalmar Poelzig (as Karloff)
Bela Lugosi ... Dr. Vitus Werdegast
David Manners ... Peter Alison
Julie Bishop ... Joan Alison (as Jacqueline Wells)
Egon Brecher Egon Brecher ... The Majordomo
Harry Cording ... Thamal
Lucille Lund ... Karen
Henry Armetta ... The Sergeant
Albert Conti ... The Lieutenant
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Storyline

Honeymooning in Hungary, Joan and Peter Allison share their train compartment with Dr. Vitus Verdegast, a courtly but tragic man who is returning to the remains of the town he defended before becoming a prisoner of war for fifteen years. When their hotel-bound bus crashes in a mountain storm and Joan is injured, the travellers seek refuge in the home, built fortress-like upon the site of a bloody battlefield, of famed architect Hjalmar Poelzig. There, cat-phobic Verdegast learns his wife's fate, grieves for his lost daughter, and must play a game of chess for Allison's life. Written by Sister Grimm <srgrimm@teleport.com>

Plot Summary | Plot Synopsis

Taglines:

The most imaginative picture yet! (Newspaper ad cut). See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Latin | Hungarian

Release Date:

7 May 1934 (USA) See more »

Also Known As:

The Vanishing Body See more »

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Box Office

Budget:

$95,745 (estimated)
See more on IMDbPro »

Company Credits

Production Co:

Universal Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Noiseless Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

The doorbell in Poelzig's house plays the first four notes from a recurring theme from Richard Wagner's opera "Die Meistersinger". See more »

Goofs

"And this is the old chart room for the long-range guns. The guns are gone but the charts are still here." As Poelzig speaks these words, his mouth is not moving. See more »

Quotes

[first lines]
The Lieutenant: [looking over Joan's passport] Mr. and Mrs. Alison, Car 96, Compartment F. Orient Express, Budapest, Visegrad.
See more »

Connections

Featured in Cinemassacre's Monster Madness: The Mummy's Hand (2013) See more »

Soundtracks

Symphony no. 7: Second Movement
(uncredited)
Music by Ludwig van Beethoven
Played as background music
See more »

Frequently Asked Questions

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User Reviews

More about atmosphere and performance than plot
21 December 2003 | by bob the mooSee all my reviews

Travelling across Eastern Europe, Peter and Joan Allison meet Dr Werdegast on the train. When the bus taking them to their destination crashes, the Allisons go with Werdegast and stay with him at the foreboding castle of Hjalmar Poelzig. However the Allisons find themselves in danger when it becomes apparent that Werdegast and Poelzig have a deadly history with each other.

Although it carries the title of his book and a credit for him on the titles, this film has little to do with Poe's work. In fact, in terms of plotting, it owes very little to anybody because, aside from the actual set up, the plot just goes all to hell very quickly. The set up is interesting and I wanted to know more about the history between these two men, then there is the thing about the black cat and Werdegast, not to mention the fact that Poelzig seems to be very interested in reading about satanic cults! However, none of this is really fully explained - this is partly due to the short run time and so much material, but it must also be blamed on the film not having a strong focus other than atmosphere.

The film still works well as the plot crumbles, but it is a little unsatisfying as it leaves so many half stories and unanswered questions. What it does do well though is atmosphere, the direction is cheap but effective and the lighting works wonders in a cheap set! The cast also contribute to this focus on atmosphere (or style) over plot (or substance). Karloff overdoes things, but he overdoes them very well! There is no real need for him to be as ominous as he is at the start but it is what we have come to expect from him. Lugosi may have tarnished his reputation towards the end of his career, but he is good here. It's hard not to laugh when seeing him convulsed with fear over the cat but he plays it well for the most part. Manners and Wells are both OK but are very much the onscreen representation of the audience and simply have to act shocked by everything and run away lots!

Overall this is a good film but only because of the atmosphere and the influence of two legendary stars in the cast. The plot had potential but not enough time is allowed for it to be explored and the focus is more on the atmosphere than the construction.


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