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Title: L'Atalante (1934)
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| Complete credited cast: | |||
| Dita Parlo | ... | Juliette | |
| Jean Dasté | ... | Jean | |
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Gilles Margaritis | ... | Le camelot (peddler) |
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Louis Lefebvre | ... | Le gosse (cabin boy) |
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Maurice Gilles | ... | Le chef de bureau (office manager) |
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Raphaël Diligent | ... | Le trimardeur (tramp / Raspoutine) (as Rafa Diligent) |
| Michel Simon | ... | Le père Jules (old Jules) | |
When Juliette marries Jean, she comes to live with him as he captains a river barge. Besides the two of them, are a cabin boy and the strange old second mate Pere Jules. Soon bored by life on the river, she slips off to see the nightlife when they come to Paris. Angered by this, Jean sets off, leaving Juliette behind. Overcome by grief and longing for his wife, Jean falls into a depression and Pere Jules goes and tries to find Juliette. Written by dlevy1201
As wonderful as this film is, it is really a disservice to pronounce it one of the greatest movies ever made. Whether it is or not one of them (ultimately a matter of subjective taste), such a proclamation, especially on the front of the box, puts *way* too much pressure on such a subtle, quiet film. I saw this film with high expectations (because of all of the drooling by critics), and frankly that pretty much ruined the experience. It's just absurd to suggest (by inference) that the majority of other films pale by comparison to this one.
I think it is a fascinating and very interesting movie with some moderately touching scenes, but "may be the best film of all time"? That's not fair to such a quiet, unassuming, subtle film that requires sneaking up on you to have any impact. Honestly, if the director hadn't died young, had such a promising start, and been French, I doubt anyone would have made such a huge deal over the movie. Had Vigo lived another 20 years and made 10 more movies, they would likely have categorized this film as excellent juvenilia.