Fotis is in love with Bilio, a last-year student at a provincial high-school, and serenades her frequently. Bilio's teacher, Platon Papadakis, is also in love with her, but besides ... See full summary »
A surrealistic documentary portrait of the region of Las Hurdes, a remote region of Spain where civilisation has barely developed, showing how the local peasants try to survive without even the most basic utilities and skills.
A surrealist tale of a man and a woman who are passionately in love with each other, but their attempts to consummate that passion are constantly thwarted by their families, the Church, and bourgeois society.
Caridad de Laberdesque
A woman returning home falls asleep and has vivid dreams that may or may not be happening in reality. Through repetitive images and complete mismatching of the objective view of time and space, her dark inner desires play out on-screen.
77 years after Jean Vigo's death, his daughter and film critic Luce Vigo accepted the 2011 Parajanov-Vartanov Institute Award -- named after persecuted Soviet filmmakers Sergei Parajanov and Mikhail Vartanov -- posthumously honoring Vigo for the masterpiece Zero for Conduct (1933); Oscar-winning actor Jon Voight presented the award and Oscar-winning director Martin Scorsese sent a letter for the occasion with words on Vigo, Paradjanov and Vartanov, all of whom had struggled against censorship. See more »
When the students tie the teacher to the bed, the position of his hands and the bed covers changes between shots as the bed is raised. See more »
War is declared! Down with monitors and punishment! Long live rebellion! Liberty or death! Hoist our flag on the school roof! Stand firm with us tomorrow! We'll bombard them with rotten old books, dirty tin cans, smelly boots and all the ammo piled up in the attic! We'll fight those old goats on commemoration day! Onward!
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Vigo's first (and penultimate) fiction feature is a precocious but messy work that serves notice of the huge talent he possesses while clearly showing that he is still a man learning his trade. The story as such tells of a revolt by schoolboys against their strict masters, but it wanders all over the place and appears either to have suffered at the hands of some inept editor's scissors, or to contain an abundance of nascent ideas that Vigo has chosen or been forced to put to screen before they were fully formed. It all makes for a fragmented and episodic structure that nevertheless somehow seems to add to the charm of the piece. Interspersed between these disjointed plot developments are some eerily surreal moments, such as when the midget headmaster straightens his tie in the mirror and his reflection moves away a second or two after him, which ensure that this film, while not the finished article, is never less than fascinating.
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