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Danny is a content truck driver, but his girl Peggy shows potential as a dancer and hopes he too can show ambition. Danny acquiesces and pursues boxing to please her, but the two begin to spend more time working than time together.
Sally Trent has an illegitimate child, but cannot support her and gives the baby up for adoption. The father, Michael Gardner, leaves for China not knowing about the baby, and she assumes he has abandoned her for life. She gets a job as a torch singer, changes her name to Mimi Benton, and becomes notorious for her drinking and philadering. Mimi fills in on a children's radio program as the character "Aunt Jenny," singing and telling bedtime stories, and eventually uses the airtime to find her long lost daughter, part with her wild lifestyle, and reunite with Michael.Written by
One of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. Because of sponsor resistance to its age and depression themed pre-code aspects of its story, it was rarely taken off the shelf. Two of its earliest documented airings took place in Hartford, Connecticut Saturday 21 October 1961 on Gems of the Silver Screen on WHCT (Channel 18) and in Indianapolis, Indiana Tuesday 19 December 1961 on Mid-Day Matinee on WFBM (Channel 6). It was released on DVD 7 April 2009 as part of the Universal Backlot Series: Pre-Code Hollywood Collection, and again as a single 5 August 2014 as part of the Universal Vault Series. See more »
A woman must suffer much before she can sing a little.
Come back to me in about a year.
All right. In the meantime watch me suffer.
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An unwed TORCH SINGER uses her children's radio show to search for her illegitimate daughter.
Claudette Colbert has a fine time in this Pre-Code melodrama playing a distraught female who covers up for the necessary separation from her child by embracing a life of empty decadence. While highly fanciful--the heroine is both sultry nightclub chanteuse and kindly kiddy radio hostess--the plot is still most enjoyable, with Colbert wringing every bit of pathos from her character's plight.
Ricardo Cortez plays the refreshingly decent producer who assists Colbert to become a celebrity. David Manners ably plays her long-lost lover. Peppery Lydia Roberti is most enjoyable as a high-spirited young mother; her character is sorely missed when she disappears early in the film. Old Charley Grapewin adds some spark as the flirtatious breakfast cereal tycoon who sponsors Miss Colbert's radio show.
A quartet of character actresses lend able support in small roles: Florence Roberts as a sympathetic nun; Virginia Hammond as Grapewin's suspicious wife; Mildred Washington as Miss Colbert's energetic maid; and aristocratic Ethel Griffies as Manners' inflexible aunt. Baby LeRoy, nemesis of W.C. Fields, appears in only one scene as Miss Roberti's infant son.
Movie mavens will recognize unbilled Scots actress Margaret Mann as a nanny.
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