The story of trench life during World War I through the lives of a French regiment. As men are killed and replaced jaunty Lt. Denet becomes more and more somber. His rival for the affection of nurse Monique is Capt. La Roche.
Mary Rutledge arrives from the east, finds her fiance dead, and goes to work at the roulette wheel of Louis Charnalis' Bella Donna, a rowdy gambling house in San Francisco in the 1850s. She... See full summary »
Edward G. Robinson,
War veteran pilots Dizzy Davis, Texas Clark and Jake Lee are working in an airline in Newark. Dizzy is flirting with the girlfriend of a younger pilot and, due to this, he feigns illness to... See full summary »
The two lovers are living together and are not married as they hesitantly explain to her brother. They had made a promise as children to get married when they grew up, but they "didn't wait." It's an important plot point as it drives Cooper's actions when he discovers that Crawford and Young are living in sin.Written by
When Diana is mixing drinks for Claude and Ronnie before they ship out, she is pouring from a bottle of Perrier as a mixer. See more »
Although the story takes place in England, during the World War I period (1916), 'Joan Crawford''s hairstyles and clothes are all strictly contemporary, including some very striking Adrian creations that were the very trademark of the time and place when it was being filmed (Hollywood, 1933.) See more »
I suppose now that you're giving up your home, you're going away?
No. No. I've moved my things to the gardner's cottage on the place.
Oh, I see.
Please don't worry about me, Mr. Bogard. I'll be quite alright.
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In real-life Crawford meets & falls in love w/Franchot Tone!
That's pretty much the highlight and only point of interest to watch in this film. Crawford was freshly divorced from Douglas Fairbanks, Jr. She and Franchot Tone fell in love and started their romance, ultimately leading to marriage, while making this film. Since their characters are brother and sister; it's very interesting to watch the passion and "familial" kisses between them that is a LOT more potent than between Joan and her other two leading men, who were SUPPOSED to be the love interests.
Although the story was based on a William Faulkner novel, it is NOT very true to the book .... since there was NO female character like Joan's in the book. MGM wanted to use Crawford and had Faulkner add a character to the screenplay to accommodate a role for her. Trouper that she was, she does a good job, but this basic World War I "men's" story is very strange due to the newly added love triangle. There are also some very abrupt editing sequences that make you ponder what was left out.
Crawford manages to look great (although her clothes were NOT correct for the period - wait til you see her gown as Lady of the Manor - Adrian on the Moon!) and has some good close-ups but she is not believable as a Brit or in her supposed love for Gary Cooper. Her suffering and caring towards Robert Young is very touching though.
Cooper is always pleasant to watch but this does nothing extra for his resume. Robert Young is sweet and winsome and commands the movie-underdog fan-love, but Franchot Tone is the one who knows how to take below-average material and make it interesting. What he can do with a few curt words, a small prop like an upside down pipe in the rain or a quiet entrance into a room is sublime.
For Joan Crawford fans, I'd rate this movie a 5.5; for war and general movie fans, I'd rate it slightly lower at a solid 5.
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