In Kentucky just after the Civil War, the Hayden-Colby feud leads to Jed Colby being sent to prison for 15 years for murder. The Haydens head for Nevada and when Colby gets out of prison he heads there also seeking revenge. The head of the Hayden family tries to avoid more killing but the inevitable showdown has to occur, complicated by Lynn Hayden and Ellen Colby's plans to marry.
John Ford weaves three "Judge Priest" stories together to form a good- natured exploration of honour and small-town politics in the South around the turn of the century. Judge William ... See full summary »
Earp agrees to become marshal and establish order in Tombstone in this very romanticized version of the gunfight at the O.K. Corral (e.g., Doc is killed by Curley before the actual battle and Earp must do the job alone).
Quirt Evans, an all round bad guy, is nursed back to health and sought after by Penelope Worth, a Quaker girl. He eventually finds himself having to choose between his world and the world Penelope lives in.
In Kentucky just after the Civil War, the Hayden-Colby feud leads to Jed Colby being sent to prison for 15 years for murder. The Haydens head for Nevada and when Colby gets out of prison he heads there also seeking revenge. The head of the Hayden family tries to avoid more killing but the inevitable showdown has to occur, complicated by Lynn Hayden and Ellen Colby's plans to marry. Written by
Maurice VanAuken <firstname.lastname@example.org>
This is one of 20 Zane Grey stories, filmed by Paramount in the 1930s, which they sold to Favorite Films for re-release, circa 1950-1952. The failure of Paramount, the original copyright holder, to renew the film's copyright resulted in it falling into public domain, meaning that virtually anyone could duplicate and sell a VHS/DVD copy of the film. Therefore, many of the versions of this film available on the market are either severely (and usually badly) edited and/or of extremely poor quality, having been duped from second- or third-generation (or more) copies of the film. See more »
Around the 47 to 48 minute mark when Ellen Colby goes to kick the package that Lynn Haden has left on the rock you can see a car on the valley floor (actually filmed in Big Bear Lake, CA). It appears to be a Model T type. The time this story takes place is approximately 20 years after the end of the Civil War which would be around 1885. Such style of a vehicle was not invented yet and certainly few if any vehicles were in the "Nevada" hills on during that time. See more »
What does it matter if you're a Hayden or a Colby if a bullet gets you?
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The opening credits feature the names and titles on printer-press paper, and subtitles name the actors and their roles when they first appear. See more »
"To the Last Man" is an interesting film--partly because of a couple uncredited performances and partly because it is a very gritty sort of film. As far as the uncredited roles go, you'll see Shirley Temple just before she became a mega-star as well as a tiny appearance by John Carradine.
The film begins just after the Civil War. As a man returns to his wife in the hills of Kentucky, you see his father-in-law being murdered by a neighbor. The killing is all part of a long-standing feud (like the infamous Hatfield and McCoy feud) but instead of killing the perpetrator, the war vet has announced he's seen enough killing and takes the case to court. His family at first is upset he didn't kill the killer, but in the long run it was the logical thing to do. However, the murderer is NOT logical and vows to renew the feud after his 15 year sentence is complete. Now this guy is super-serious--and even after his enemy leaves Kentucky and moves to Nevada, he and his clan move west just so they can get their revenge!! But, instead of just shooting them, the ex-con plans on ruining their ranch--with the help of his best prison buddy. However, there is a monkey wrench in this plan--his daughter is about to fall in love with one of the enemy (Randolph Scott)! How's all this insanity going to end?! While the plot isn't all that remarkable, the film works because the film is very gritty and unsentimental. You'll see a lot of Pre-Code style violence--and this actually helps the film to be both realistic and creates a strong impact--especially during the big showdown at the end. Bold and gritty--and worth seeing.
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