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Stage Mother

  • 1933
  • Approved
  • 1h 25m
IMDb RATING
6.0/10
269
YOUR RATING
Maureen O'Sullivan and Alice Brady in Stage Mother (1933)
DramaMusicalRomance

A vaudeville star has to leave her daughter with her dead husband's stuffy Boston parents while she makes a living. But when the daughter shows some talent, the mother become a stage mother ... Read allA vaudeville star has to leave her daughter with her dead husband's stuffy Boston parents while she makes a living. But when the daughter shows some talent, the mother become a stage mother and pushes her daughter into becoming a Broadway star. The mother is a monster with a hear... Read allA vaudeville star has to leave her daughter with her dead husband's stuffy Boston parents while she makes a living. But when the daughter shows some talent, the mother become a stage mother and pushes her daughter into becoming a Broadway star. The mother is a monster with a heart of gold, and after breaking up the daughter's love affair, finally sees the error of her... Read all

  • Director
    • Charles Brabin
  • Writers
    • John Meehan
    • Bradford Ropes
  • Stars
    • Alice Brady
    • Maureen O'Sullivan
    • Franchot Tone
  • See production info at IMDbPro
  • IMDb RATING
    6.0/10
    269
    YOUR RATING
    • Director
      • Charles Brabin
    • Writers
      • John Meehan
      • Bradford Ropes
    • Stars
      • Alice Brady
      • Maureen O'Sullivan
      • Franchot Tone
    • 13User reviews
    • 1Critic review
  • See production info at IMDbPro
  • See production info at IMDbPro
    • Awards
      • 1 win total

    Photos13

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    Top cast55

    Edit
    Alice Brady
    Alice Brady
    • Kitty Lorraine
    Maureen O'Sullivan
    Maureen O'Sullivan
    • Shirley Lorraine
    Franchot Tone
    Franchot Tone
    • Warren Foster
    Phillips Holmes
    Phillips Holmes
    • Lord Aylesworth
    Ted Healy
    Ted Healy
    • Ralph Martin
    Russell Hardie
    Russell Hardie
    • Fred Lorraine
    C. Henry Gordon
    C. Henry Gordon
    • Ricco
    Alan Edwards
    Alan Edwards
    • Dexter
    Ben Alexander
    Ben Alexander
    • Francis Nolan
    Lowden Adams
    • Dexter's Butler
    • (uncredited)
    Luis Alberni
    Luis Alberni
    • Hors D'Oeuvres Waiter
    • (uncredited)
    Sam Ash
    Sam Ash
    • Mr. Mark Thorne
    • (uncredited)
    Hank Bell
    Hank Bell
    • Mustached Man With Badge
    • (uncredited)
    Margaret Bert
    • Nurse
    • (uncredited)
    Nora Cecil
    Nora Cecil
    • Miss Gilford - Kitty's Music Store Boss
    • (uncredited)
    Elspeth Dudgeon
    Elspeth Dudgeon
    • Music Store Customer
    • (uncredited)
    Jay Eaton
    Jay Eaton
    • Mr. Sterling - Dance Instructor
    • (uncredited)
    Bill Elliott
    Bill Elliott
    • Audience Member
    • (uncredited)
    • …
    • Director
      • Charles Brabin
    • Writers
      • John Meehan
      • Bradford Ropes
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews13

    6.0269
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    Featured reviews

    6PCC0921

    Healy's Real-Life Parallels, Mommy Dearest, Tarzan's Jane and Larry Fine

    This is one of the MGM feature films Ted Healy did, while still with Howard, Fine and Howard. Along with Healy, Larry Fine has a cameo, as a music store customer. That was an interesting scene because, in record stores in 1933, to sell records, live singers would sing samples of the song and charge 50 cents for the actual song on a record. It's the 1930s version of going to iTunes. In Stage Mother (1933), a pregnant theater-singer loses her trapeze artist husband, in a tragic accident. I wasn't ready for that. It was a good start to this film. Although, when the doomed husband landed on the ground, you could clearly see the giant mattress he safely lands on. In the next shot, he's lying on a hard stage floor. This was a technical mistake, that could have been fixed, even in 1933. Later on in the film, after the baby has grown to three years old, the mother Kitty Lorraine (Alice Brady), has to give the kid up to the in-laws, because the theater life isn't a place for a child. Healy, who's character, Ralph Martin, a friend of Kitty's, goes after her quickly, with desires for marriage. They go off, get married, make it through things, for about a decade and then Martin becomes a drunk, that ruins their theater act. This is an eerie sequence of events, considering the real-life story, that happened to Ted Healy in his real life.

    The crazy life of a theater performer in the 1930s, is the main drive of the plot. The kid grows up to be Maureen O'Sullivan. Yes, that Maureen O'Sullivan. The one, who would go on to play Jane, in six of the Johnny Weissmuller, Tarzan films. After staying with her grand parents for a number of years, Shirley is reunited with her mother, Kitty. She is 16 years old and this is the point O'Sullivan steps in for her character. In fact, I was impressed with the way the filmmakers made-up 22 year old O'Sullivan, to age from 16 to her 30s. So, stage Mother wants her daughter to be a dancer. An idea, Shirley isn't to keen about, but accepts the direction her life is about to go in, thus setting up a possible Mommy Dearest scenario. Fortunately, Shirley will age to a point, that the Mommy Dearest phase doesn't fester.

    When Shirley goes for her first try-out, the collection of kids routines were pretty funny. I did notice some bad edits in Stage Mother (1933), even by 1933 standards, but the camera work was really nice. 55 minutes into the film, Shirley breaks up sadly, with her man she is seeing and minutes later, does a great show, with some amazing sets, created for the dance numbers. Some may question moments of the acting in the movie, but I liked C. Henry Gordon as Ricco. The film ends kind of quickly and abruptly, plus there's a uneasy feeling, that things didn't go the way you thought they would. The happy music, playing out to the film's end, doesn't hide the real anguish behind Shirley's eyes. Did Mommy Dearest actually win? Stage Mother (1933), is still a cinematic artifact, from an earlier time. I thought it was cool. It's not a great film, but still, fairly good.

    6.3 (D+ MyGrade) = 6 IMDB.
    6wes-connors

    Alice Brady pushes Maureen O'Sullivan

    Flying trapeze swinger Alice Brady (as Katherine "Kitty" Lorraine) is grounded when she becomes pregnant, then takes the baby girl to go live with her husband's family in Boston, Massachusetts. Eventually, with encouragement from comedian Ted Healy (as Ralph Martin), Ms. Brady returns to the vaudeville stage. When her daughter grows up to be gawky Maureen O'Sullivan (as Shirley), the now older Brady makes pretty Ms. Sullivan over as the leggy star of a successful Busby Berkeley-type chorus girls show.

    "Stage Mother" attempts to convey some seedy theatrical realities, but they are hesitant and humorous instead of dramatic. Writer Bradford Ropes helped adapt his original novel, but obviously had to tone down much the sexual content; what's left is a little silly. Two attractive young men, painter Franchot Tone and cruiser Phillips Holmes, court pretty O'Sullivan. Brady slices through the leading role. A highlight is the production number for "Beautiful Girl", which effectively celebrates the female form.

    ****** Stage Mother (9/20/33) Charles Brabin ~ Alice Brady, Maureen O'Sullivan, Franchot Tone, Phillips Holmes
    drednm

    The Great Alice Brady

    STAGE MOTHER is almost a great film, starring Alice Brady as a so-so Vaudevillian who pushes her daughter (Maureen O'Sullivan) into "the business" when it's clear she can't make it on her own. As in Applause (1929), we see the seedy side of the business with lots of backstage scenes. Film starts out with pregnant Kitty (Brady) watching her husband do an aerial act that goes bad. After she has the baby she goes to "his people" in Boston and is grudgingly taken in by the stereotypical Boston family. Eventually she can't stand it and moves out, leaving the kid. Years later she gets the kid back and pushes her into dancing lessons etc. Of course she becomes a star. She's preyed upon by men (Ben Alexander) and has romances with a couple guys (Franchot Tone and Phillips Holmes) before the end credits.

    Brady is great as the ferocious mother whose life centers on controlling her daughter while she lives off her. O'Sullivan (looking very busty indeed) is very good until she's supposed to be this dancing and singing mega star. O'Sullivan can't do either, so it's long shots of some other performer while O'Sullivan smiles sweetly in the close-ups. Tone and Holmes are fine as the romancers. Ted Healy plays a ham comic and the second husband. Others include Russell Hardie as Fred, Larry Fine (minus More and Curly) as a store customer, Lillian Harmer as the Boston mother, and C. Henry Gordon as the hood. No IMDb info on who plays the old maid sister or the auditioning kid singer.

    Songs include "Beautiful Girl," which also showed up that same year in GOING Hollywood and the infectious "Dancing on a Rainbow," which is a big production number. This MGM production has the look and feel of a Warners backstage musical, which in this case is a good thing.
    4view_and_review

    Spot On

    Kitty Lorraine (Alice Brady) was one of those parents that drives their children to be something they may or may not want to be. Kitty was in the entertainment biz so she wanted her daughter, Shirley (Maureen O'Sullivan), to be in the entertainment biz. As a result, she dominated her life. She made every decision for her and had her whole life mapped out. She would live vicariously through her daughter, and she was indicative of millions of other parents out there.

    We tend to hear about the sports parents, or the stage parents because their children become famous and let the world know about their upbringing. We don't hear about those sports parents or stage parents whose children never made it big. We also don't hear about the doctor parents, lawyer parents, or other career parents who drive their children just as hard.

    Shirley didn't have a normal childhood, and what's worse is that when she became a young adult, she was just as attached to her mother as when she was a child. It's like once the parents get their hooks into their children they never let them go.

    I thought "Stage Mother" was spot on. The movie focused on lost love due to mothering which was following with the sentiments of that era. If a (s)mother(er) was going to make her daughter miss out on anything back then it would be love, not another career or simply being happy. Shirley's happiness had to be directly attributable to the man she fell in love with and it would've been sacreligious to think her happiness came from some other source.

    Free on Odnoklassniki.
    5st-shot

    Stage Mother falls on its face in the last act.

    Husband wife high wire act Freddy and Kitty Lorraine split up the team while she tends to having a child. When dad is killed in a fall she and the new baby move in with his staid New England parents. Buzz killers from the outset Kitty decides to take kid Shirley (Maureen O'Sullivan) on the road and push her into a stage career. With mom managing her career gets traction and she's soon headlining. Making a nostalgic visit to her old home in Boston she meets Warren (Franchot Tone) a painter and the two fall in love. When mom gets wind of it though she puts a stop to it as well as shake down his family for ten grand. Shirley is devastated and seeks to get out from under the influence of her mother.

    Stage Mom is Alice Brady's picture as she cajoles and plays hardball with all comers to advance her daughter's career including pimping her to a prominent politician causing things to get hot enough to blow town and head for Europe. Brady's raspy voice suits her hard bargaining style well as she negotiates with some pretty tough customers along the way. O'Sullivan's Shirley is sharp innocent counterpoint to a point of insipid. She dances poorly and remains naive and childlike most of the picture while her suitors (Franchot Tone and Phillip Holmes) can only wish they had a backbone like Kitty.

    The dance scenes are flat and uninspired as director Charles Brabin does his best to mask O'Sullivan's abysmal hoofing abilities with close-ups while at the same time offering some pretty racy pre code enforcement shots of the chorus replete in diaphanous costume.

    There are a handful of well played scenes (particularly with C. Henry Gordon) in Stage Mother as Brady brawls her way to the top with tough talk and a touch of extortion void of sentiment but in the end it depends on sentimental tug to bring the curtain down and the limpid denouement forcing Kitty to go meekly simply reinforces the films mediocrity.

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Larry Fine's only solo screen appearance without his partners in The Three Stooges.
    • Goofs
      Tap dancing is heard during the child contortionist's audition.
    • Quotes

      Kitty Lorraine: I'm going to Boston to Fred's people. They sent me a telegram.

      Blonde: What, live in Boston? I'd hate to take a kid as young as that one to that town. It's liable to make her peculiar for life!

    • Connections
      Referenced in Fugitive Lovers (1934)
    • Soundtracks
      Any Little Girl, That's a Nice Little Girl, Is the Right Little Girl for Me
      Music by Fred Fisher

      Lyrics by Thomas J. Gray

      Sung by Alice Brady at the music store

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    Details

    Edit
    • Release date
      • September 29, 1933 (United States)
    • Country of origin
      • United States
    • Language
      • English
    • Also known as
      • Sådan är hon!
    • Filming locations
      • Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, California, USA(Studio)
    • Production company
      • Metro-Goldwyn-Mayer (MGM)
    • See more company credits at IMDbPro

    Tech specs

    Edit
    • Runtime
      1 hour 25 minutes
    • Color
      • Black and White
    • Aspect ratio
      • 1.37 : 1

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