Ray of Sunshine

Original title: Sonnenstrahl

19331933
1h 27m

IMDb RATING

7.5/10

174

YOUR RATING

Annabella, Pál Fejös, Gustav Fröhlich, Sergio Otzoup, and J. Fenneker in Ray of Sunshine (1933)

Drama

Vienna, at the height of the Great Depression. Like so many others, Hans has no work, no money, nowhere to live. Having lost his livelihood as a taxi driver, he decides that the only solutio... Read allVienna, at the height of the Great Depression. Like so many others, Hans has no work, no money, nowhere to live. Having lost his livelihood as a taxi driver, he decides that the only solution is to kill himself. But just as he is about to drown himself, he sees a young woman dive... Read allVienna, at the height of the Great Depression. Like so many others, Hans has no work, no money, nowhere to live. Having lost his livelihood as a taxi driver, he decides that the only solution is to kill himself. But just as he is about to drown himself, he sees a young woman dive into the river, obviously with the same intention. Without a thought, Hans pulls the woma... Read all

IMDb RATING

7.5/10

174

YOUR RATING

Director
- Pál Fejös
Writers
- Pál Fejös
- Adolf Lantz(screenplay)
Stars

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Photos7

Annabella and Gustav Fröhlich in Ray of Sunshine (1933)

Storyline

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Trivia
French actress Annabella only speaks a little more than a dozen lines throughout the whole film, mostly monosyllables.

Connections
Alternate-language version of Gardez le sourire (1933)

User reviews2

Review

Top review

8/10

Need to Be Needed

A man who has lost his job trudges to the Danube to kill himself. When a young woman throws herself in, he rescues her and they begin their long and erratic journey to love.

Writer-Director-Epidemiologist-Archaeologist Paul Fejos -- I'm pretty sure he didn't wear all his hats on this shoot -- offers us a charming view of Vienna from the underside, with leads Annabella and Gustav Fröhlich most charming. The ups and downs go on a little too often. I would have cut it one iteration short, but he directs it as a silent with enough sound sequences to let you know this is the sound era. The leads mime their performances very nicely. Annabella is almost mute (perhaps her German was not so good) in her shy, mousy role and Fröhlich's performance suggests Bill Haines in one of his more down-to-earth roles.

Anyone who has seen Fejos' LONESOME will recognize this as another film in the same vein, a corrective to King Vidor's THE CROWD. Between the players and the city of Vienna, this is a good one to see.

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