Banished from various U.S. protectorates in the Pacific, a saloon entertainer uses her femme-fatale charms to woo politicians, navy personnel, gangsters, riff-raff, judges and a ship's doctor in order to achieve her aims.
Country orphan Lily goes to Berlin to stay with her tippling aunt, and soon meets Richard, handsome sculptor across the street. Persuaded half-reluctantly to pose for Richard, her physical charms (shown as fully as 1933 mores permitted) soon melt away his 'strictly business' attitude, and they become lovers. But Richard, wanting his freedom, connives at her marriage to his wealthy client Baron von Merzbach... whose household includes a jealous former mistress and a susceptible farm manager. Has Richard still a role to play in her life?Written by
Rod Crawford <firstname.lastname@example.org>
After putting her aunt to bed with a cup of tea and a bottle of rum, Lily goes to turn off the gas lamp in her room - but the lights on the set go off before she extinguishes the flame of the lamp. See more »
Nice mix of sophistication and pre-code naughtiness
The plot to this film is pretty simple, but wow, Marlene Dietrich is fantastic in the leading role, and director Robert Mamoulian makes the most of his actors and the script in crafting a beautiful film. Dietrich skillfully handles her role which shifts from a naïve young country girl, to a model and lover of a sculptor, to the unhappy wife of an older man, and lastly to a cabaret girl. Her performance is especially impressive for the time, when over-acting and exaggerated facial gestures were common; Dietrich by contrast is polished and smooth, sexy in a sultry, understated way, and quite a singer on top of all that. Director Robert Mamoulian, who also directed the brilliant Dr. Jekyll and Mr. Hyde in 1931, pulls all the right strings here, and there are some beautiful shots, examples of which are shifting clouds in front of the moon and sunlight reflecting off the water as Dietrich is out riding. The movie is also elevated by quotes from the poetry of the Biblical book of the Song of Songs, and it's a nice mix of sophistication and pre-Code naughtiness. The scene when Dietrich disrobes for a nude modeling session, where Mamoulian cuts to sculptures to represent her body, brings a smile. The plot itself isn't going to blow you away, but Dietrich will. Very enjoyable.
2 of 2 people found this review helpful.
Was this review helpful to you?
| Report this