Rightly suspected of illicit relations with the Masked Bandit, Flower Belle Lee is run out of Little Bend. On the train she meets con man Cuthbert J. Twillie and pretends to marry him for "... See full summary »
Ruby Carter, the American Beauty queen of the night club-sporting world, shifts her operations from St. Louis to New Orleans (which kind of belies the Western genre designation), mostly to ... See full summary »
Letty, a young woman who ended up pregnant, unmarried and on the streets at fifteen is bitter and determined that her child will not grow up to be taken advantage of. Letty teaches her ... See full summary »
New York singer and nightclub owner Lady Lou has more men friends than you can imagine, unfortunately one of them is a vicious criminal who's escaped and is on the way to see "his" girl, not realizing she hasn't exactly been faithful in his absence. Help is at hand in the form of young Captain Cummings, a local temperance league leader, though.Written by
Col Needham <firstname.lastname@example.org>
The National Legion of Decency was formed in October of 1933, six months after the release of this film. Legion officials cited Mae West and the film as one of the major reasons for the "necessity" of the organization. See more »
When Lou arrives in the carriage, the way she holds her parasol changes. See more »
So you met a man who wouldn't fall for you, eh?
Who wants him to fall? Why he'd be the kind the woman'd have to marry to get rid of.
See more »
Maryland, Massachusetts, New York, Ohio, and Pennsylvania removed the song "A Guy What Takes His Time". Will H. Hays and Adolph Zukor went to New York to edit the song to an entrance by Mae West, one opening verse, and one closing verse to lessen the suggestiveness. Despite this, Ohio and Pennsylvania cut all of West's one liners. See more »
Mae West had a Broadway smash when she penned the bawdy tale of DIAMOND LIL for herself--and with a few tweaks here and there the story came to the screen as SHE DONE HIM WRONG. The film was an immediate hit and the role of Lady Lou remains one of West's best remembered performances. The script is jam-packed with some of West's most famous lines, including the memorable "Come up'n see me sometime. I'm home every evenin'" and "You can be had." West throws her lines with style, aplomb, enough innuendo to make a censor cringe, and considerable humor--but, somewhat surprisingly, the movie is not really a comedy.
SHE DONE HIM WRONG is a hard-knocks tale of Bowery bruisers who dance attendance upon the 'Lady Lou' and often resort to crime to keep her dripping in the diamonds she prizes above all else. But although she has one lover already locked up in jail, another one mixed up in the white slavery rackets, and still a third waiting to step into the gap, the Lady Lou is more interested in seducing missionary Cary Grant... only to find him less interested in her body than her soul, a circumstance that prompts West to utter one of the most how-did-that-get-past-the-censors lines in 1930s cinema: "Maybe I ain't got no soul." This is a surprisingly tough little movie, and in addition to West's zinging lines and occasional musical numbers SHE DONE HIM WRONG also offers a glimpse at a very young (and still slightly wooden) Cary Grant; it also has an ensemble cast that plays in a very enjoyable grand manner, truly first rate production values all the way, and A surprisingly brisk running time. West did funnier films than this, but the mix of her sharp wit and the rough story is particularly memorable. This is where the fire started really started, and I recommend it very strongly.
Gary F. Taylor, aka GFT, Amazon Reviewer
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