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The Private Life of Henry VIII. (1933)

King Henry VIII marries five more times after his divorce from his first wife Catherine of Aragon.

Director:

Alexander Korda

Writers:

Lajos Biró (story and dialogue) (as Lajos Biro), Arthur Wimperis (story and dialogue) | 1 more credit »
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Won 1 Oscar. Another 1 win & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Charles Laughton ... Henry VIII
Robert Donat ... Thomas Culpeper
Franklin Dyall Franklin Dyall ... Thomas Cromwell
Miles Mander ... Wriothesley
Lawrence Hanray Lawrence Hanray ... Archbishop Cranmer
William Austin ... Duke of Cleves
John Loder ... Peynell
Claud Allister ... Cornell (as Claude Allister)
Gibb McLaughlin ... The French Executioner (as Gibb Mc.Laughlin)
Sam Livesey ... The English Executioner
Merle Oberon ... Anne Boleyn - The Second Wife
Wendy Barrie ... Jane Seymour - The Third Wife
Elsa Lanchester ... Anne of Cleves - The Fourth Wife
Binnie Barnes ... Katherine Howard - The Fifth Wife
Everley Gregg Everley Gregg ... Katherine Parr - The Sixth Wife
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Storyline

This movie tells the story of King Henry VIII and the last five of his six wives. Set almost entirely within the royal castle, it begins just before the death of his second wife (Anne Boleyn) and ends just after his sixth wedding (to Catherine or Katherine Parr). Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

EVERY WOMAN GOT IT IN THE NECK - Eventually See more »


Certificate:

Not Rated | See all certifications »
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Details

Country:

UK

Language:

English

Release Date:

21 September 1933 (USA) See more »

Also Known As:

La vida privada de Enrique VIII See more »

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Box Office

Budget:

£60,000 (estimated)
See more on IMDbPro »

Company Credits

Production Co:

London Film Productions See more »
Show more on IMDbPro »

Technical Specs

Sound Mix:

Mono (Western Electric Sound System Noiseless Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Set designer Vincent Korda spoke no English whatever, and the film's British crew spoke no Hungarian, so all of the film's sets were constructed via sign language between Korda and the crew. See more »

Goofs

Whilst accurately showing Anne Boleyn's execution by a specially requested swordsman from France, rather than an ax, the film shows the fixing of a block to the scaffold. A block is not used in decapitations by sword. See more »

Quotes

[At Anne Boleyn's execution]
Man: Well, one must admit, she died like a queen.
Woman: Yes. And that frock, wasn't it too divine?
Man: Was it? I didn't notice.
Woman: No, you wouldn't. You wouldn't notice that I haven't had a new gown for a year.
Man: All right, all right, you shall have one... for *your* execution!
See more »

Crazy Credits

Opening credits prologue: Henry VIII had six wives. Catherine of Aragon was the first; but her story is of no particular interest - she was a respectable woman-so Henry divorced her. He then married Anne Boleyn. This marriage also was a failure-but not for the same reason. See more »

Connections

Version of The Tudors: Dissension and Punishment (2009) See more »

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User Reviews

An enjoyably boisterous Henry in a funny, interesting and surprisingly sensitive film
28 June 2004 | by bob the mooSee all my reviews

During his reign, Henry the Eighth had six wives. The first of these was Catherine of Aragon but her story is of no particular interest as she was a decent and respectable woman – so Henry only divorced her. However his next wife was a different matter altogether and we join the story on the day of Anne Boleyn is getting her neck ready for the executioner's block. Henry is a boisterous king who, no matter how bad his many marriage experiences, cannot seem to avoid getting married again; as he himself says, 'the things I do for England'!

When I taped this film I had never heard of it but before watching it was told that it was a great moneymaker of the time in the US. I wasn't sure if this was a very historic film or a fun film but the opening credit title made me realize it would be a sort of humorous historical piece – it is practically the sort of title card that appears before many Laurel & Hardy shorts! True to form the film takes liberties with history but does so to the benefit of the film, making it very funny and rather larger than life (not that hard a subject given Henry's life!) but not to the point where it is just a comedy – no, it is better written than that. Instead it manages to present this big boisterous life in a balanced way – when events are funny, they are funny but on the flipside it also lets us see that Henry is lonely, trapped by affairs of state and rather a big child at times. It is hard to describe but this film managed to run a gauntlet of emotions in a way that I was pretty impressed by. The very good writing has prevented it dating at all and it is just as enjoyable as it was then – in fact I can't think of a film that I have been more pleasantly surprised by for quite a while – how ironic that it is over 70 years old!

Outside of the script and direction, a massive reason that this film works is a great performance from Laughton. His Henry is fantastically lively and energetic without ever going completely OTT. He manages to deliver his funny lines with great timing and awareness but also delivers a real character who we can feel for – he conveys real hurt and loneliness with just looks at times, and his tearful breakdown is actually quite moving. He is given good support from many small roles who are given good parts – even the observers at the executions have great lines! The 39 Steps' Robert Donat gives good support in a straighter and less showy role and the various member of Henry's court are reliable. However the film belongs to Laughton and he runs it, realising the script's potential and then some.

Overall I came to this film not sure what to expect and I was very surprised by just how enjoyable and well rounded it was. Historians may be irritated by a rather generous interpretation of history but the basics are all there and the writer's touch has only really added colour and a sense of fun to the story. The script is packed with material that is funny and telling at different points and it is delivered with real confidence and ability by Laughton in a performance that dominates the film and is a major reason I enjoyed it as much as I did.


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