Man's Castle (1933) - News Poster



2014 Telluride Film Festival Line-Up Includes Plenty of Cannes, Toronto and Venice Crossover

There are a lot of familiar faces in the just announced 2014 Telluride Film Festival line-up, but as much as this fest is about what's officially announced, it's also about what's not mentioned as secret screenings are pretty much what makes Telluride such a buzzy fest, though this year a little bit of snow may also be part of the conversation. As for the titles announced so far you have Venice early standout Birdman, Jon Stewart's Rosewater, The Imitation Game and Jean-Marc Vallee's Wild along with a Ton of Cannes crossover pics including Foxcatcher, The Homesman, Leviathan, Mommy, Mr. Turner, Red Army, Wild Tales and Two Days, One Night. There is plenty of Toronto crossover with many of this pics as well, which also includes Ramin Bahrani's 99 Homes, the new Martin Scorsese documentary The 50 Year Argument, Joshua Oppenheimer's The Look of Silence and Ethan Hawke's Seymour among others.
See full article at Rope Of Silicon »

'Birdman,' 'Wild,' 'Imitation Game' and an 'Apocalypse Now' treat set for 41st Telluride

  • Hitfix
'Birdman,' 'Wild,' 'Imitation Game' and an 'Apocalypse Now' treat set for 41st Telluride
Telluride — With all the reindeer games going on in the fall festival world, a lot of the drama and mystery surrounding Telluride's perennially on-the-lowdown program began to seep out like a steadily deflating balloon this year. Toronto, Venice and New York notations of "World Premiere," "Canada Premiere," "New York Premiere" or "International Premiere" and the like made it all rather obvious which films were heading to the San Juans for the 41st edition of the tiny mining village's cinephile gathering, and which were not. But the fact is, if you're in it just for the surprises — or certainly, for the awards-baiting heavies — you're never going to be fully satisfied by the Telluride experience. That having been said, this year's program might just be the most exciting one in my six years of attending. Starting with all of the stuff we were expecting, indeed, Cannes players "Foxcatcher," "Mr. Turner" and "Leviathan
See full article at Hitfix »

A Property of Movies: A Conversation with Brian De Palma

  • MUBI
Brian De Palma's new film Passion was one of our favorites at the Toronto International Film Festival. I raved and rambled on about the film in one of our correspondences (though, as you'll see, I was wrong about one key facet of the film's production):

A remake of the solid Alain Corneau corporate thriller Love Crime, De Palma plunges without hesitation into the iconography, audience expectations, and conventions of noirs, sex thrillers, corporate intrigue, post-Hitchcock films and Brian De Palma movies themselves, retaining the shell appearance of all of these things but hollowing them from the inside out. The result is something out of late Resnais—a study of a study. And that study, of course, is of the cinema image. Remember how Rebecca Romijn watches Stanwyck in Double Indemnity at the beginning of Femme Fatale, as if taking notes? The characters in Passion have taken notes from
See full article at MUBI »

Judy Lewis Dies: Loretta Young/Clark Gable Out-of-Wedlock Daughter

Clark Gable, Loretta Young, The Call of the Wild Judy Lewis, out-of-wedlock daughter of Loretta Young and Clark Gable, died of cancer on Friday, Nov. 25, at a retirement home in the Philadelphia suburb of Gladwyne. She was 76. Young, who was an ardent Catholic, and Gable, then married to Maria Franklin Langham (17 years his senior) had an affair while starring in William A. Wellman's 1935 adventure drama The Call of the Wild. Young had just turned 22, Gable was 34. In a manner similar to the absurd stories of so many Hollywood melodramas of the period, after learning of her pregnancy Young took off for Europe. Upon her return months later, she was reported ill and convalescing at a hospital in the Los Angeles suburb of Venice, where Judy was born Nov. 6, 1935. When the girl was almost two, Young officially adopted her (and a boy, later returned) from an orphanage in San Francisco.
See full article at Alt Film Guide »

The films that time forgot

The new wave 40 years early. The soft side of Jean-Pierre Melville. Nicole Kidman makes the unmakeable. Somewhere out there is an alternative history of film – David Thomson unearths 10 lost works of genius

Erotikon (1920)

Forget 1920, this is an absolutely modern comedy about romance and sex, directed in Sweden by Mauritz Stiller. We should remember that when MGM brought Greta Garbo from Sweden in the mid-20s, she was almost baggage in the deal that hired Stiller, one of the sharpest and most sophisticated of silent directors, but a man who would be crushed by Hollywood. Stiller needs to be recovered (like his contemporary, Victor Sjöström), and Erotikon has an instinct for attraction and infidelity that simply couldn't be permitted in American films of the same period. It's also marvellous to see that, nearly 100 years ago, Swedish cinema was in love with its country's cool light and with actresses as warm but ambiguous as Tora Teje,
See full article at The Guardian - Film News »

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