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Little Women (1933)

Not Rated | | Drama, Family, Romance | 24 November 1933 (USA)
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A chronicle of the lives of a group of sisters growing up in nineteenth-century America.

Director:

George Cukor

Writers:

Louisa May Alcott (by) (as Louisa M. Alcott), Sarah Y. Mason (screen play) | 1 more credit »
Reviews
Won 1 Oscar. Another 3 wins & 3 nominations. See more awards »

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Cast

Complete credited cast:
Katharine Hepburn ... Jo
Joan Bennett ... Amy
Paul Lukas ... Prof. Bhaer
Edna May Oliver ... Aunt March
Jean Parker ... Beth
Frances Dee ... Meg
Henry Stephenson ... Mr. Laurence
Douglass Montgomery ... Laurie
John Lodge ... Brooke (as John Davis Lodge)
Spring Byington ... Marmee
Samuel S. Hinds ... Mr. March (as Samuel Hinds)
Mabel Colcord Mabel Colcord ... Hannah
Marion Ballou Marion Ballou ... Mrs. Kirke
Nydia Westman ... Mamie
Harry Beresford ... Doctor Bangs
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Storyline

Little Women is a "coming of age" drama tracing the lives of four sisters: Meg, Jo, Beth and Amy. During the American Civil War, the girls father is away serving as a minister to the troops. The family, headed by thier beloved Marmee, must struggle to make ends meet, with the help of their kind and wealthy neighbor, Mr. Laurence, and his high spirited grandson Laurie. Written by Liza Esser <essereli@student.msu.edu>

Plot Summary | Add Synopsis

Taglines:

Acclaimed Universally as One of the Finest Pictures in History of the Screen! (Print Ad- Buffalo Courier-Express, ((Buffalo, NY)) 8 December 1933)

Genres:

Drama | Family | Romance

Certificate:

Not Rated | See all certifications »
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Details

Country:

USA

Language:

English | German

Release Date:

24 November 1933 (USA) See more »

Also Known As:

Little Women See more »

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Box Office

Budget:

$424,000 (estimated)
See more on IMDbPro »

Company Credits

Production Co:

RKO Radio Pictures See more »
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Technical Specs

Runtime:

Sound Mix:

Mono (RCA Victor System)

Color:

Black and White (hand-colored)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Katharine Hepburn wrote in her autobiography, "This picture was heaven to do - George Cukor perfect. He really caught the atmosphere. It was to me my youth!" See more »

Goofs

Jo takes off her hood twice when entering for tea. See more »

Quotes

[first lines]
Marmee March: So you're going to Washington?
Elderly man: Yes, ma'am; my son is sick in the hospital there.
Marmee March: Oh, this will be an anxious Christmas for you.
Marmee March: [finding him a coat] I think this one will do; let's try this. Is it your only son?
Elderly man: No, ma'am. I had four; two were killed, one is a prisoner.
Marmee March: [deeply moved] You've done a great deal for your country, sir.
Elderly man: Oh, not a mite more than I ought, ma'am. I'd go myself if I was any use. Thank you for the overcoat.
Marmee March: Wait a minute...
Marmee March: [giving him some money] I hope you ...
[...]
See more »

Alternate Versions

Older video and television prints remove the original RKO logo in the opening and replace it with the one from Selznick International. See more »

Connections

Referenced in The Bugaloos: Today, I'm a Firefly (1970) See more »

Soundtracks

The Last Rose of Summer
(uncredited)
Traditional Irish melodies
Hummed by Frances Dee
See more »

Frequently Asked Questions

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User Reviews

 
Great version for the performances of Hepburn and Lukas
17 December 2000 | by Dr. CuminSee all my reviews

See this version of course, for the definitive Jo March in Kate Hepburn. She is all angles, awkwardness and tom-boyishness, while gradually becoming this graceful young woman. It's my favorite performance of hers, and that's saying something. The screenplay is first-rate, winning the Oscar that year, and most of the actors are just fine, with Spring Byington a notable exception as Marmee. (Director George Cukor did not want her in the film, and he knew what he was talking about.) But the wistful, gentle Beth of Jean Parker and Edna May Oliver's crotchety Aunt March are awfully good . I've always been especially taken by the performance of Professor Bhaer in this version. Portrayed by an utterly charming Paul Lukas, he embodies the professor with a three-dimensionality that Louisa May Alcott didn't seem to want to bother with. His scene where he is criticizing the writings of Hepburn's Jo is extraordinary in how subtly it changes tone--from critic , to would-be suitor. It ends with a look of longing from Lukas, that only a director like Cukor would hold so long. Not like the 1994 version with a far too handsome Gabriel Byrne showing none of the uncertainty that an older poor scholar should show while falling in love with a young woman. Great stuff. Great director. Just a shame that the sound quality isn't up to the rest of the film.


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