6.9/10
16
1 user

Ladies Must Love (1933)

Passed | | Comedy, Drama, Romance | 25 September 1933 (USA)
Four Broadway gold-diggers sign a contract promising to share all their future gains. Troubles begin when one the girls falls in love with a wealthy playboy, getting rid of the contract.

Director:

(as E.A. Dupont)

Writers:

(suggested by a play by), (play) | 2 more credits »
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Cast

Cast overview:
... Jeannie Marlow
... Bill Langhorne
... Dot La Tour
... Peggy Burns
... Sally Lou Cateret
... Joey
... Mme. Fifi
... Herman Nussbauer
... Thomas Van Dyne
... Wilbur Muller
... Gaskins
... Bill's Society Fiancee
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Storyline

Four Broadway gold-diggers sign a contract promising to share all their future gains. Troubles begin when one the girls falls in love with a wealthy playboy, getting rid of the contract.

Plot Summary | Add Synopsis

Taglines:

THERE'S THE DEVIL TO PAY WHEN THEY START TO PLAY! (original poster-all caps)

Genres:

Comedy | Drama | Romance

Certificate:

Passed
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Details

Country:

Language:

Release Date:

25 September 1933 (USA)  »

Also Known As:

Four Wise Girls  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Jeanette Loff was announced for a lead role, but was eventually replaced. See more »

Soundtracks

Tonight May Never Come Again
Words and Music by Lynn Cowan and David Klatzkin
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User Reviews

 
LADIES MUST LOVE is a failed attempt to tell the story of "The Blue Angel" with the genders switched
7 May 2017 | by See all my reviews

Did you ever hear someone tell a joke, only the teller doesn't get the joke? That's the feeling I have with this movie.

June Knight is the subject of this movie about four gold-digging women on the make. June and Neil Hamilton fall in love, and neither is sure what it is; neither do her room mates help, since they expect her to contribute to the general welfare.

Perhaps I expected a different story -- this was a staple Pre-Code and after. Perhaps I was expecting a comedy with some good jokes and gags instead of a straight drama. More likely, though, is that DuPont came from the European cinema, where this sort of movie was about the man being doomed by a hopeless love for the Erda figure -- THE BLUE ANGEL is the example most people know.

The Erda figure would combine with the American vamp to become the femme fatale of film noir and it was way too early for anyone to have figured out how that would work. Dupont tried to make it a story of the failed redemption of Miss Knight, was saddled with a happy ending and the result is thoroughly unsatisfactory.


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