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King Kong (1933)

Passed | | Adventure, Horror, Sci-Fi | 7 April 1933 (USA)
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1:32 | Trailer

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A film crew goes to a tropical island for an exotic location shoot and discovers a colossal ape who takes a shine to their female blonde star. He is then captured and brought back to New York City for public exhibition.

Directors:

Merian C. Cooper (uncredited), Ernest B. Schoedsack (uncredited)

Writers:

James Ashmore Creelman (screen play) (as James Creelman), Ruth Rose (screen play) | 2 more credits »
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Popularity
3,689 ( 627)
3 wins & 7 nominations. See more awards »

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Cast

Complete credited cast:
Fay Wray ... Ann Darrow
Robert Armstrong ... Carl Denham
Bruce Cabot ... John Driscoll
Frank Reicher ... Capt. Englehorn
Sam Hardy ... Charles Weston
Noble Johnson ... Native Chief
Steve Clemente Steve Clemente ... Witch King (as Steve Clemento)
James Flavin ... Second Mate Briggs
King Kong ... The Eighth Wonder of the World
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Storyline

Carl Denham needs to finish his movie and has the perfect location; Skull Island. But he still needs to find a leading lady. This 'soon-to-be-unfortunate' soul is Ann Darrow. No one knows what they will encounter on this island and why it is so mysterious, but once they reach it, they will soon find out. Living on this hidden island is a giant gorilla and this beast now has Ann in it's grasps. Carl and Ann's new love, Jack Driscoll must travel through the jungle looking for Kong and Ann, whilst avoiding all sorts of creatures and beasts. Written by Film_Fan

Plot Summary | Plot Synopsis

Taglines:

Out-leaping the maddest imaginings! Out-thrilling the wildest thrills! See more »


Certificate:

Passed | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

7 April 1933 (USA) See more »

Also Known As:

The Ape See more »

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Box Office

Budget:

$670,000 (estimated)

Gross USA:

$10,000,000
See more on IMDbPro »

Company Credits

Production Co:

RKO Radio Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (restored) | (original cut)

Sound Mix:

Mono (RCA Photophone System)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Merian C. Cooper had originally planned for Kong to be exhibited in Yankee Stadium, but later decided on a mid-town theater. Special Effects Chief Willis H. O'Brien drew a sketch of Kong breaking loose in the Stadium. See more »

Goofs

When Kong is fighting the miniature biplanes the length of the lower wings are the same as the upper. When actual footage of biplanes are used the lower wingspans are shorter than the upper. See more »

Quotes

[first lines]
Charles Weston: Say, is this the moving picture ship?
Watchman: The Venture? Yeah. Are you going on this crazy voyage?
Charles Weston: What's crazy about it?
See more »

Crazy Credits

Opening Card: And the prophet said: "And lo, the beast looked upon the face of beauty. And it stayed its hand from killing. And from that day, it was as one dead." Old Arabian Proverb See more »

Alternate Versions

Also available in a computer colorized version. See more »

Connections

Referenced in M*A*S*H: The Colonel's Horse (1976) See more »

Soundtracks

St. Louis Blues
(1914) (uncredited)
Music by W.C. Handy
Whistled by Robert Armstrong
See more »

Frequently Asked Questions

See more »

User Reviews

 
Tongue in cheek movie about Hollywood.
6 April 2004 | by Ben_CheshireSee all my reviews

"He was a king and a god in the world he knew, but now he comes to civilisation merely a captive, a show to gratify your curiosity," the director says to the vaudeville house, before a curtain goes up and we see Kong suspended with his arms nailed out, as if on a cross.

Self-reflection and satire of Hollywood is everywhere, which came as a great shock to me. There is a great subtext: the story is about a filmmaker who travels to overseas locations, such as jungles, to film his movies - he cares nothing for the cultures he may be violating, all he cares is capturing the spectacle on film. If he is unable to capture it on film, he tells us early on in the picture, he'll destroy it without a second thought. This is a film about the emptiness and recklessness of Hollywood, yet the satire is not bitter, but tongue-in-cheek in a way that follows James Whale's advice for putting subtexts in genre films, ie, not spoiling it for those viewers who don't "get the joke." So Kong can be enjoyed as a pure genre picture. The performances have false moments, but as an adventure picture it develops well, taking us gradually further towards the mystery of the legend of Kong, then follows Kong as the whole drama of his attempted capture plays out. The music also, is great, and along with mist and good cinematography helps create a mysterious atmosphere. The beginning is fairly talky, but it picks up. And the lovely Fay Wray offers reason enough to watch this on her own. If I was Kong, i know i'd beat the hell out of any dinosaur there was in order to protect her!

Luckily, King Kong came in the period between 1930 and 1934 when there was no production code in Hollywood, so content was not censored. A couple years later we wouldn't have had the pleasure of seeing Fay Wray clad in a torn to shreds jungle jane costume, and especially not then falling in the water wearing said outfit! And probably not the degree of violence we have here: in one particular fight Kong has with T-rex he breaks the dinosaur's head by pulling its jaws so far open!

The vintage special effects are great. They're so fun for quaintness value, but in places they're actually really good. The wrestling match with the T-rex, when Kong cracks a giant snake's back, and especially when he shakes the men off the log - all these sequences in particular were very well done. When I think about it, these effects aren't as quaint next to today's as you might initially think. How would we do a convincing giant ape onscreen (how will Peter Jackson do it in 2005)? By computer? Most of our completely computerised creatures at this writing are ridiculously fake looking. Try the ridiculous creature in Hulk? Everyone commented on how fake it looked. I'll go for the much more fun stop-motion Hickenlooper Kong over Hulk anyday.

And the famous climax in New York City, which ends on the Empire State Building with Kong swatting at planes, is marvellous.


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