7.7/10
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The Invisible Man (1933)

Not Rated | | Horror , Sci-Fi | 13 November 1933 (USA)
A scientist finds a way of becoming invisible, but in doing so, he becomes murderously insane.

Director:

James Whale

Writers:

H.G. Wells (novel), R.C. Sherriff (screenplay)
Reviews

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3 wins & 2 nominations. See more awards »

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Cast

Complete credited cast:
Claude Rains ... Dr. Jack Griffin aka The Invisible Man
Gloria Stuart ... Flora Cranley
William Harrigan ... Dr. Arthur Kemp
Henry Travers ... Dr. Cranley
Una O'Connor ... Jenny Hall
Forrester Harvey ... Herbert Hall
Holmes Herbert ... Chief of Police
E.E. Clive ... Constable Jaffers
Dudley Digges ... Chief Detective
Harry Stubbs Harry Stubbs ... Inspector Bird
Donald Stuart Donald Stuart ... Inspector Lane
Merle Tottenham ... Millie
Edit

Storyline

Working in Dr. Cranley's laboratory, scientist Jack Griffin was always given the latitude to conduct some of his own experiments. His sudden departure, however, has Cranley's daughter Flora worried about him. Griffin has taken a room at the nearby Lion's Head Inn, hoping to reverse an experiment he conducted on himself that made him invisible. Unfortunately, the drug he used has also warped his mind, making him aggressive and dangerous. He's prepared to do whatever it takes to restore his appearance, and several will die in the process. Written by garykmcd / edited by statmanjeff

Plot Summary | Plot Synopsis

Taglines:

Catch me if you can! See more »

Genres:

Horror | Sci-Fi

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook

Country:

USA

Language:

English

Release Date:

13 November 1933 (USA) See more »

Also Known As:

Der Unsichtbare See more »

Company Credits

Production Co:

Universal Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric Noiseless Recording Sound System)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

According to the March 1975 issue of 'Films in Review', Robert Florey, Cyril Gardner, and Ewald André Dupont were all considered as director before James Whale was finally assigned. See more »

Goofs

Griffin says that food is visible inside him until it is digested. But earlier, when he smoked a cigarette, we saw no smoke inside him. See more »

Quotes

[first lines]
Man in Pub: Did you hear about Mrs. Mason's little Willy? Sent him to school and found him buried ten-foot deep in a snow drift.
Man in Pub # 2: How did they get him out?
Man in Pub: Brought the fire engine 'round, put the hose pipe in, pumped it backwards and sucked him out.
See more »

Crazy Credits

The opening credits appear out of thin air. See more »

Alternate Versions

When the film was released to home video, Universal Studios replaced a snippet of music heard on the radio when Dr. Kemp is reading a newspaper in his house, and the Invisible Man enters through a set of French doors. Universal was unable to secur the rights for the original music and replaced it, covering the original sound effects (the sound of the newspaper and the door latch) in the process. See more »

Connections

Referenced in Sex Adventure (2002) See more »

Soundtracks

Pop Goes the Weasel
(1853) (uncredited)
Music anonymous
Arranged by Charles Twiggs (1859)
Sung a cappella by Claude Rains
See more »

Frequently Asked Questions

See more »

User Reviews

Works Very Well
1 December 2004 | by Snow LeopardSee all my reviews

This film version of the H.G. Wells science fiction classic works very well. It has a number of strengths, but it benefits most of all from James Whale's direction, creativity, and technical excellence. Both the flashier aspects of the movie (such as the "invisibility" effects) and also most of the basic elements are done with skill.

The story is for the most part based on the one main idea of "The Invisible Man" who combines his scientific genius with a generous supply of madness. The story is interesting enough in itself, and of course it provides all kinds of opportunities for visual tricks. Whale hits just the right balance in making good use of these opportunities without over-indulging himself.

The visual effects themselves are of excellent quality, and they are far better than all but the very best of the present-day computer imagery. While it is usually rather easy to spot which parts of a movie are computer-generated, Whale's effects are all but seamless, with the exception of a handful of brief moments. They are often quite impressive, without resorting to tired devices, such as explosions and the like, in order to impress those with shorter attention spans.

Claude Rains does quite well for having such limitations on what he could do. The rest of the cast is solid, if mostly unspectacular, letting the story do the work. Una O'Connor somewhat overdoes it with the screaming this time, but otherwise the characters are believable. The acting may seem slightly quaint to those who are accustomed to the pretentious styles of the present generation of performers, but it's certainly better than the grating, self-important performances in some of the recent movies of the same genre.

While the story does not have the thematic depth or the suggestive imagery of horror classics like "Frankenstein" or "Dracula", this adaptation gets everything it can out of the material, telling the story in an entertaining fashion and with technical skill.


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