A mysterious man, whose head is completely covered in bandages, wants a room. The proprietors of the pub aren't used to making their house an inn during the winter months, but the man insists. They soon come to regret their decision. The man quickly runs out of money, and he has a violent temper besides. Worse still, he seems to be some kind of chemist and has filled his room with messy chemicals, test tubes, beakers and the like. When they try to throw him out, they make a ghastly discovery. Meanwhile, Flora Cranley appeals to her father to do something about the mysterious disappearance of Dr. Griffin, his assistant and her sweetheart. Her father's other assistant, the cowardly Dr. Kemp, is no help. He wants her for himself. Little does Flora guess that the wild tales, from newspapers and radio broadcasts, of an invisible homicidal maniac are stories of Dr. Griffin himself, who has discovered the secret of invisibility and gone mad in the process.Written by
When Dr. Kemp stands before Dr. Griffin's opened cupboard, his cigarette jumps from his left hand to his right between camera cuts when Dr. Cranley walks away. See more »
Man in Pub:
Did you hear about Mrs. Mason's little Willy? Sent him to school and found him buried ten-foot deep in a snow drift.
Man in Pub # 2:
How did they get him out?
Man in Pub:
Brought the fire engine 'round, put the hose pipe in, pumped it backwards and sucked him out.
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Claude Rains is the only actor in the film whose character is identified in the credits. We are not told which roles the other actors play, even though the cast is listed twice: at the beginning and at the end. Rains is billed as "The Invisible One" in the opening credits and as "The Invisible Man" in the closing credits. See more »
When the film was released to home video, Universal Studios replaced a snippet of music heard on the radio when Dr. Kemp is reading a newspaper in his house, and the Invisible Man enters through a set of French doors. Universal was unable to secure the rights for the original music and replaced it, covering the original sound effects (the sound of the newspaper and the door latch) in the process. See more »
Writing about 30's Black-And-White movies can be difficult, as they need to be considered in light of the era the films were made. You have to adopt the mind-set of some-one viewing it for the first time, without the baggage of umpteen remakes and special effects improvements, to remain objective. Here goes:
Claude Rains does a good job with a mainly "speaking" part - lots of emotion and command there. Una O'Connor as the Innkeepers wife does a bit too much shrieking for my liking - but required "reaction" acting fodder for the time, I assume.
The effects still hold up, and must have been cutting edge at the time. The storyline covers all the basics of the Wells Novel - a quest for knowledge and power, alienation and drug inducessed madness. It's an enjoyable watch with good pacing and steady performances throughout. A sort of lazy Sunday afternoon type of movie.
Universal's take on a British Pub raises a smile, with some fantastic looking weathered-faced locals populating the place. I love the way the gag with a local "fake-playing" a coin driven piano gets a roaring laugh (as if that's the first time the pub's drinkers have seen it). However, the British film-industry was putting out the same type of stereotypes, so Universal can be forgiven there.
A part of Sci-Fi/Horror movie making history, and worth watching for this fact alone.
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