IMDb RATING
6.9/10
1.6K
YOUR RATING
A woman is sent to a reformatory when her con artist lover flees after killing a man during a botched blackmail scheme.A woman is sent to a reformatory when her con artist lover flees after killing a man during a botched blackmail scheme.A woman is sent to a reformatory when her con artist lover flees after killing a man during a botched blackmail scheme.
IMDb RATING
6.9/10
1.6K
YOUR RATING
- Director
- Sam Wood(uncredited)
- Writers
- Anita Loos(screen play)
- Howard Emmett Rogers(screen play)
- Frances Marion(uncredited)
- Stars
- Director
- Sam Wood(uncredited)
- Writers
- Anita Loos(screen play)
- Howard Emmett Rogers(screen play)
- Frances Marion(uncredited)
- Stars
Louise Beavers
- Elite Club Attendant
- (uncredited)
Wade Boteler
- Police Sergeant at Reformatory
- (uncredited)
Bobby Caldwell
- Ruby & Eddie's Son
- (uncredited)
Nora Cecil
- Miss Campbell
- (uncredited)
Jack Cheatham
- Policeman
- (uncredited)
G. Pat Collins
- Phil Dunn
- (uncredited)
Nell Craig
- Miss Willard - Reformatory Matron
- (uncredited)
- Director
- Sam Wood(uncredited)
- Writers
- Anita Loos(screen play) (from a story by)
- Howard Emmett Rogers(screen play)
- Frances Marion(uncredited)
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaWhen Eddie is looking around Ruby's apartment, waiting for his clothes to dry, he spots a pennant on the wall that says "Albany Night Boat". That refers to the steamships that would depart New York City in the early evening for an overnight trip up the Hudson River to Albany. The ships had hundreds of staterooms and were often used - as the film's contemporary audience would know - for romantic getaways or illicit affairs. The pillow Eddie sees next may also have been a souvenir from the ship, as it's inscribed, "We're here to-day/To-morrow we're through,/So let's be gay,/It is up to you." Such trips peaked in the early 20th century, but started to decline in the 1930's when less costly, speedier, and more efficient modes of transportation by rail and automobile came to the fore. By the 1940's, the Albany Night Boat had virtually ceased to exist.
- GoofsWhen Al and Ruby go to the Elite nightclub, as they are talking about her "lost" purse, the position of the ashtray on the table in the foreground keeps changing between shots.
- ConnectionsFeatured in Bombshell (1933)
- SoundtracksHold Your Man
(1933) (uncredited)
Music by Nacio Herb Brown
Lyrics by Arthur Freed
Played on a record and sung by Harriet Lee
Reprised by Jean Harlow, playing piano and singing
Review
Featured review
Smooth Before Crashing
Love conquers all. That includes reality as defined in this pre-Code tearjerker. I would sympathize with the moral if the end weren't exaggerated into such a pile of mush. As others point out, the first half is sprightly as Gable and Harlow work the shady side of life. But then Gable accidentally kills a guy, while Harlow gets nabbed for a con job. So it's off to the hoosegow for both. Actually Gable drops out, while we follow Harlow's jaunt in a military- type slammer for women. Babes behind bars it ain't. The girls get to wear shapeless smocks, presided over by a bunch of long black crows (Patterson, et al.). One thing this segment proves—women can march from here to there in lockstep as well as men.
Some pre-Code highlights—Harlow in a gown unruffled by underwear; an actual socialist loudly denouncing the "system"; an unmarried Harlow with-child after an undisguised night with Gable; a peek-a-boo with Harlow in the bathtub. And though it's not pre-Code, the black minister and his inmate daughter rise above stereotype of the day. In fact, Theresa Harris is so winning as daughter Lillie Mae, she nearly steals the show. I can see why she had such a long career, even if mainly as menials.
The movie's a good look at MGM's golden twosome in their prime. And if the material falters, the stars manage to shine. So fans should be happy, despite the soggy ending.
Some pre-Code highlights—Harlow in a gown unruffled by underwear; an actual socialist loudly denouncing the "system"; an unmarried Harlow with-child after an undisguised night with Gable; a peek-a-boo with Harlow in the bathtub. And though it's not pre-Code, the black minister and his inmate daughter rise above stereotype of the day. In fact, Theresa Harris is so winning as daughter Lillie Mae, she nearly steals the show. I can see why she had such a long career, even if mainly as menials.
The movie's a good look at MGM's golden twosome in their prime. And if the material falters, the stars manage to shine. So fans should be happy, despite the soggy ending.
helpful•20
- dougdoepke
- May 31, 2014
Details
Box office
- Budget
- $266,000 (estimated)
- Runtime1 hour 27 minutes
- Color
- Aspect ratio
- 1.37 : 1
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