Ex-convict Danny Kean decides to become honest as a photographer for a paper. He falls in love with Patricia, the daughter of the policeman who arrested him. Mr Nolan, her father, doesn't ... See full summary »
It is the bottom of the depression and Sol Glass has the idea that the girls in the stenographic department should be used to entertain the clients. Seems the clients are tiring of the ... See full summary »
After accidentally killing the man who raped her and forced her into prostitution, a New Orleans woman flees to a Caribbean island. While she awaits her fiancé, the vicious local police chief sets his sights on her.
William A. Wellman
Chester Kent produces musical comedies on the stage. With the beginning of the talkies era he changes to producing short musical prologues for movies. This is stressful to him, because he always needs new units and his rival is stealing his ideas. He can get an contract with a producer if he is able to stage in three days three new prologues. In spite of great problems, he does it.Written by
Stephan Eichenberg <email@example.com>
John Garfield is often credited as being an extra in this film, five years before signing a Hollywood contract with Warner Brothers, but researchers are in dispute over whether it is actually Garfield in the shot, which lasts 5/6 of one second onscreen. Garfield's daughter denies that is is he, and forensic examination of the extra's ears strongly suggests it is not Garfield, who was not in California at the time of filming. See more »
There is no way that the sets for the last three production numbers could have been built, tested and installed in the few hours they had between the idea and the show. None of the productions could have fit on the stage of a movie theater or on any known stage. The "By a Waterfall" number alone was bigger than the entire theater. See more »
Clever, gritty, witty, fast-paced, sexy, extravagant, sleazy, erotic, heartfelt and corny, Footlight Parade is a first-class entertainment, what the movies are all about.
The realistic, satirical treatment gives a fresh edge to the material and its pace and line delivery are breathtaking. To think that they only started making feature talking pictures 7 years before this! The brilliance of the dialogue cannot be matched anywhere today, especially considering that "realism" has taken over and engulfed contemporary cinema.
This film was made at a time when the Hayes code restricting content was being ignored and the result is a fresh, self-referential, critical and living cinema that spoke directly to contemporary audiences suffering through the depression and the general angst of the age. I'd recommend watching any film from this period, that is 1930-1935, for a vision of what popular cinema can potentially be.
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