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The Emperor Jones (1933)

Not Rated | | Drama, Music | 29 September 1933 (USA)
Unscrupulously ambitious Brutus Jones escapes from jail after killing a guard and through bluff and bravado finds himself the emperor of a Caribbean island.

Directors:

Dudley Murphy, William C. de Mille (uncredited)

Writers:

Eugene O'Neill (play), DuBose Heyward (screenplay) (as Du-Bose Heyward)
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Cast

Complete credited cast:
Paul Robeson ... Brutus Jones
Dudley Digges ... Smithers
Frank H. Wilson Frank H. Wilson ... Jeff (as Frank Wilson)
Fredi Washington ... Undine
Ruby Elzy Ruby Elzy ... Dolly
George Haymid Stamper George Haymid Stamper ... Lem (as George Stamper)
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Storyline

At a Baptist prayer meeting, the preacher leads a prayer for Brutus Jones, who is leaving to become a railway porter. Jones joins the congregation in a spiritual. Once on the train, Jeff, a porter, shows Jones the ropes. Jones secretly takes up with Jeff's girl, Undine. He makes some money in a deal with a rich businessman on the train. Jones proves to be a cunning manipulator and a good liar. In a crap game, Jones stabs Jeff over a pair of loaded dice. Now doing hard labour, Jones kills a white prison guard and escapes. Shovelling coal on a ship in the Caribbean, Jones swims to an island. He is brought before the island's ruler, where Smithers, a crooked white trader, buys his freedom. Jones schemes his way into a partnership in Smithers' business, then finally control of the entire island through a touch of witchcraft, or so it seems. Brutus declares himself to be The Emperor Jones... Smithers reports on the unrest that Jones' rule is causing. One morning, the palace is empty of ... Written by David Steele

Plot Summary | Add Synopsis

Genres:

Drama | Music

Certificate:

Not Rated | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

29 September 1933 (USA) See more »

Also Known As:

El emperador Jones See more »

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Box Office

Budget:

$250,000 (estimated)
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (2003 restored) | (original)

Sound Mix:

Mono (Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

About a half-hour of completely original material was added to the movie adaptation in order to give the main character, Brutus Jones, a more detailed backstory, leaving only about 45 minutes from Eugene O'Neill's play. See more »

Quotes

Smithers: I wonder what the blazes is keepin' that black ape?
See more »

Alternate Versions

The 72-minute version has different opening credits. In the original version, the title reads "The Emperor Jones" in uppercase (capital) letters. In later prints of this film, including the 72-minute version nearly always screened on TV, the title reads merely "Emperor Jones" , in lowercase letters. See more »

Connections

Featured in Paul Robeson: Tribute to an Artist (1979) See more »

Soundtracks

Daniel
(uncredited)
Traditional American spiritual
Sung by Paul Robeson and chorus on the island
See more »

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User Reviews

 
Paul Robeson is the whole show in this version of The Emperor Jones
4 February 2011 | by tavmSee all my reviews

It's Black History Month, so I'm reviewing African-Americans on film in chronological order. It's now 1933 when actor/singer Paul Robeson accepted an offer to reprise his role as Brutus Jones in a film version of Eugene O'Neill's play. His character goes from porter, to convict, to emperor of an island in possibly too quick time during the movie though some of the dialogue does sometimes explain how much time has passed when those transitions occur. No matter, since Robeson is the whole show here and manages to be a very compelling presence whether singing or talking a long streak. And there are many good supporting turns by Frank Wilson as Jeff-a fellow porter who shows Brutus the ropes, Ruby Elzy as Dolly-Jones' first girlfriend at home, Fredi Washington as Undine-Jeff's girl who Brutus steals, and Dudley Digges as Smithers-a white trader Jones eventually partners with. Then there are cameos by the likes of Billie Holiday, Rex Ingram, Moms Mabley, and Harold Nicholas-who as usual dances here-that should provide some extra enjoyment for anyone curious about that sort of thing. While, like I said, transitions may not seem completely natural, this version of The Emperor Jones is worth seeing for Robeson's presence alone.


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