A violinist in a provincial Polish orchestra, whose husband is the director of the ensemble, on a visit to the U.S., ties up with the world-renowned symphony conductor. As it turns out, he ... See full summary »
Volpone, an elderly Venetian, connives with his money-crazed servant to convince his greedy friends that he is dying, knowing that each will try to curry favor with him in order to be named... See full summary »
Jacques de Baroncelli
Two Americans sharing a flat in Paris, playwright Tom Chambers and painter George Curtis, fall for free-spirited Gilda Farrell. When she can't make up her mind which one of them she prefers, she proposes a "gentleman's agreement": She will move in with them as a friend and critic of their work, but they will never have sex. But when Tom goes to London to supervise a production of one of his plays, leaving Gilda alone with George, how long will their gentleman's agreement last?Written by
Capel Cleggs <firstname.lastname@example.org>
One of over 700 Paramount productions, filmed between 1929-49, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. This was first released to DVD 31 May 2005 as one of 4 titles in Universal's Gary Cooper Franchise Collection and again 6 December 2011 as part of the Criterion Collection; since that time it has also enjoyed occasional cable TV airings on Turner Classic Movies. See more »
Shadow of boom mic visible at train station. See more »
In this surprisingly risqué film made before the Hays code, two men and a woman share an apartment in Paris and talk openly about sex. It's fun to watch, thanks to the witty and sophisticated dialog of Noel Coward, the screenplay by Ben Hecht, and of course the masterful direction of Lubitsch. March is wonderful as a struggling playwright. Hopkins has one of her best roles as a free-loving woman who loves two men but marries a third. Lubitsch elicits a fine comedic performance from Cooper as a hot-tempered artist. In a typical role, Horton plays a stuffed shirt. There's no music, which could make things seem static, but Lubitsch keeps it moving at a breezy pace.
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