Christopher Strong

None too subtle story of a famous aviatrix (Hepburn -- the movie calls her a "girl flier") in love with a married nobleman (Clive). They put off consumating their affair, even muttering to each other in one ridiculous scene about how "special" they are. Burke turns in a quality performance given a very standard mother role, giving her character the convincing quality it needs to withstand the transition from anger to frustration to final acceptance of the situation. A story that could not have been filmed this way 2 or 3 years later. Includes Hepburn in her infamous "moth suit." Clive does well, and Hepburn is great, but given how it's written and (especially) how she plays it, it's no surprise this film did nothing to improve her standing in the eyes of the more prurient elements in the audience. Perhaps, even, some of their later vindictiveness (including placing her on the list of so-called "box-office poison") could be seen as their own reaction to her character transferred onto Katherine Hepburn. Well directed and photographed. Unconvincing ending unhinges the movie in its final reel, but I guess last reel reconciliations by way of death were soon to be the rule in Hollywood (as they always had been in more conservative film centers), so it's good Selznick got in fairly early in the game. Will be remembered more by Hepburn's fans than by fans of good, solid movies, because she provides many of its most memorable moments.