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Cavalcade (1933)

Passed | | Drama, Romance, War | 15 April 1933 (USA)
The triumphs and tragedies of two English families, the upper-crust Marryots and the working-class Bridges, from 1899 to 1933 are portrayed.

Director:

Frank Lloyd

Writers:

Reginald Berkeley (screen play), Sonya Levien (continuity)
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Won 3 Oscars. Another 1 win & 1 nomination. See more awards »

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Cast

Cast overview, first billed only:
Diana Wynyard ... Jane Marryot
Clive Brook ... Robert Marryot
Una O'Connor ... Ellen Bridges
Herbert Mundin ... Alfred Bridges
Beryl Mercer ... Cook
Irene Browne ... Margaret Harris
Tempe Pigott ... Mrs. Snapper
Merle Tottenham ... Annie
Frank Lawton ... Joe Marryot
Ursula Jeans ... Fanny Bridges
Margaret Lindsay ... Edith Harris
John Warburton ... Edward Marryot
Billy Bevan ... George Grainger
Desmond Roberts ... Ronnie James
Dickie Henderson Dickie Henderson ... Master Edward (as Dick Henderson Jr.)
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Storyline

A cavalcade of English life from New Year's Eve 1899 until 1933 seen through the eyes of well-to-do Londoners Jane and Robert Marryot. Amongst events touching their family are the Boer War, the death of Queen Victoria, the sinking of the Titanic and the Great War. Written by Jeremy Perkins {J-26}

Plot Summary | Plot Synopsis

Taglines:

MAGNITUDE never before attempted TITANIC in its sweep APPEALING to every emotion to which the human heart is susceptible. (Print Ad- Plattsburg Daily Republican,((Plattsburg, NY)) 8 June 1933) See more »

Genres:

Drama | Romance | War

Certificate:

Passed | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

15 April 1933 (USA) See more »

Also Known As:

Cabalgata See more »

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Box Office

Budget:

$1,180,280 (estimated)

Gross USA:

$7,630,000

Cumulative Worldwide Gross:

$17,440,000
See more on IMDbPro »

Company Credits

Production Co:

Fox Film Corporation See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono (Western Electric System)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

The play opened in London on 6 September 1931 and had 405 performances. Una O'Connor, Irene Browne and Merle Tottenham originated their movie roles in the play. See more »

Goofs

The Titanic's port of registry was Liverpool, not Southampton. See more »

Quotes

[first lines]
Jane Marryot: [as the Marryots return home from an outing] Thank you Bridges.
Robert Marryot: Everything ready Bridges?
Alfred Bridges: Yes sir.
Jane Marryot: Thought we should never get here in time. I'm sure that cabby was tipsy Robert.
Robert Marryot: So am I; he called me his old coccolare.
Jane Marryot: Oh, what did you say?
Robert Marryot: Gave him another shilling.
[they laugh lightheartedly]
See more »

Alternate Versions

The Fox Movie Channel (FMC) broadcasts the British version of the film, which had fewer onscreen credits than the American version. (The last title card reads "Distributed by Fox Film Co. Ltd., 13 Berners St. London, W.") Omitted in the British version were credits for the assistant director, dialogue director, film editor and costumes. In addition, it specified that the film was based on Charles B. Cochran's Drury Lane production. The IMDb credits are based on the American version, as listed in the AFI Catalogue of Feature Films, 1931 - 1940, which they determined from the records of Twentieth Century-Fox legal department. The soundtrack may also have been different in these two versions. Performance data in the IMDb soundtrack listing, however, was compiled from the viewed British version. See more »

Connections

Featured in The Oscars (2018) See more »

Soundtracks

Valse des enfants
(uncredited)
Written by Frank Tresselt
See more »

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User Reviews

 
An odd bird of a film
12 June 2010 | by AlsExGalSee all my reviews

I enjoyed this film, not so much as a piece of entertainment that still holds up today, but as a moment frozen both in time and geography. Unlike "42nd Street" and "Dinner at Eight" which are other films from 1933 that I think most Americans would find very accessible today, you might not care for Cavalcade if you don't know what to look for.

This film is totally British in its perspective and it is also very much in the anti-war spirit that pervaded movies between 1925 and 1935 as WWI came to be seen by nearly all its global participants as a pointless war and caused everyone to lose their taste for fighting another.

The British perspective that you have to realize is that the Marryotts are accustomed to being on top - both in the world as England had dominated the globe for centuries, and socially, as they were part of the aristocracy. That didn't mean that they were snobs - they were very friendly and compassionate with their servants. But the point is, they were accustomed to the relationship being their choice and under their control. Suddenly England appears to be on the decline on the world stage and the servants they were so kind to are coming up in the world on their own and don't need their permission to enter society. Downstairs is coming upstairs, like it or not.

Downstairs is personified in this film by the Bridges family, Marryot servants that eventually strike out on their own and into business. Eventually the daughter, Fanny, enters into a romance with the Marryot's younger son. When Mrs. Marryot learns the news she is not so shocked as she is resigned to the fact that this is another sign that her world is slipping away. As for Fanny Bridges, she seems to personify post-war decadence as she grows from a child to full womanhood in the roaring 20's. At one point in the film, as a child, she literally dances on the grave of a loved one. This is not a good sign of things to come.

If the movie has a major flaw it is that it goes rather slowly through the years 1900 through 1918 and flies through the last fifteen years. Through a well-done montage you get a taste for what British life was like during that time - in many cases it looks like it was going through the same growing pains as American society during that same period - but it's only a taste.

Overall I'd recommend it, but just realize that it is quite different in style from American films from that same year.


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