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The Bowery (1933)

Passed | | Comedy, Drama | 7 October 1933 (USA)
"In the Gay Nineties New York had grown up into bustles and balloon Sleeves ... but The Bowery had grown younger, louder and more rowdy until it was known as the 'Livest Mile on the face of... See full summary »

Director:

Raoul Walsh

Writers:

Michael L. Simmons (based on the novel by), Bessie Roth Solomon (based on the novel by) | 2 more credits »
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Cast

Cast overview:
Wallace Beery ... Chuck Connors
George Raft ... Steve Brodie
Jackie Cooper ... Swipes McGurk
Fay Wray ... Lucy Calhoun
Pert Kelton ... Trixie Odbray
Herman Bing ... Max Herman
Oscar Apfel ... Ivan Rummel
Ferdinand Munier Ferdinand Munier ... Honest Mike
George Walsh ... John L. Sullivan
Lillian Harmer ... Carrie A. Nation
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Storyline

"In the Gay Nineties New York had grown up into bustles and balloon Sleeves ... but The Bowery had grown younger, louder and more rowdy until it was known as the 'Livest Mile on the face of the globe' ... the cradle of men who were later to be famous." The scene opens in a saloon named "Nigger Joe's" ... Written by Michael Crew <m.crew@bbcnc.org.uk>

Plot Summary | Add Synopsis

Taglines:

"CHUCK" CONNORS MONARCH OF ALL HE SURVEYED AND COULD LICK!

Genres:

Comedy | Drama

Certificate:

Passed | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

7 October 1933 (USA) See more »

Also Known As:

El arrabal See more »

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Box Office

Budget:

$421,496 (estimated)
See more on IMDbPro »

Company Credits

Production Co:

20th Century Pictures See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (re-release)

Sound Mix:

Mono (Western Electric Noiseless Recording)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Clark Gable was sought for the part of Brodie, but was not available. See more »

Goofs

The name of George Raft's character, "Steve Brodie," is misspelled "Brody" in the opening credits. See more »

Quotes

Steve Brodie: Don't ever say I never give ya nothin'.
See more »

Alternate Versions

The version shown on Fox Movie Channel runs seven seconds over 87 minutes. Apparently it is a reissue copy, the missing five minutes due to reediting to fit post code rules. Though it was made for Twentieth Century Films, a new start up film studio organized by Joe Schenck, Bill Goetz (L.B. Mayer's son-in-law) and ex-Warner Bros. production chief Darryl Zanuck, the FMC version is presented under the post merger logo of Twentieth Century Fox complete with fanfare and an end title crediting distribution to TCF. This year a full uncut version was shown at New York's Film Forum which clocked several minutes over ninety minutes. See more »

Connections

Referenced in Hollywoodism: Jews, Movies and the American Dream (1998) See more »

Soundtracks

A Hot Time in the Old Town
(uncredited)
Music by Theodore A. Metz
Played when Brodie is being carried back after his jump
See more »

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User Reviews

Quintessential Walsh
26 January 2004 | by KalamanSee all my reviews

"The Bowery", along with "Me and My Gal"(1932), is probably director Raoul Walsh's best film at Fox. This is a one Walsh picture that will appeal to all kinds of audiences and perhaps turn you into a devoted Walsh enthusiast. I've always been a big Walsh fanatic and "Bowery" is one of few of his pictures that has eluded for quite some time. I finally saw it and was blown away by it.

"Bowery" is also Walsh's best film of 1933, easily eclipsing the ponderous "Going Hollywood". Inspired by Mae West's hugely successful comedy-riot "She Done Him Wrong", Walsh rightfully turned this pre-Code frolic into his own. All the Walsh touches are here in full bloom: the rousing ebullience & energy, the portrait of everyday life, the sheer innocence of its characters, the nostalgic evocation of the Gay 90s (Walsh's own impressionable years), and the unsophisticated resort to ribald humor, brawls, and jocularity. It also features John L. Sullavan, Errol Flynn's famous opponent in Walsh's 1942 boxing classic "Gentleman Jim".

George Raft and Wallace Beery are excellent as the two rivals in New York's Bowery of the 1890s. They are fighting for the love of Fay Wray (always a welcome sight). Jackie Cooper, playing the streetwise rascal, reunites with Beery after their successful teaming in Vidor's "The Champ" and it is great to watch them again.

Ultimately, though, it is Walsh's sheer exuberance that counts the most. "Bowery" is one of my all-time favorite films, the kind of picture that you would like to watch again and again. A must if you get a chance to see it.


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