6.2/10
491
16 user 6 critic

Ann Vickers (1933)

Passed | | Drama, Romance | 6 October 1933 (USA)
A prison reformer and a controversial judge fall in love and have a child out of wedlock.

Director:

John Cromwell

Writers:

Jane Murfin (screenplay), Sinclair Lewis (novel)
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Cast

Complete credited cast:
Irene Dunne ... Ann Vickers
Walter Huston ... Judge Barney 'Barney' Dolphin
Conrad Nagel ... Lindsey Atwell
Bruce Cabot ... Capt. Lafayette Resnick
Edna May Oliver ... Malvina Wormser
Sam Hardy ... Ignatz Spaulding
Mitchell Lewis ... Captain Waldo
Murray Kinnell ... Dr. Slenk - Copperhead Gap Warden
Helen Eby-Rock Helen Eby-Rock ... Kitty Cognac
Gertrude Michael ... Mona Dolphin
J. Carrol Naish ... Dr. Sorelle (as J. Carroll Naish)
Sarah Padden ... Lil--Black Woman
Reginald Barlow Reginald Barlow ... Chaplain
Rafaela Ottiano ... Mrs. Feldermans (as Rafaella Ottiano)
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Storyline

During WWI, Ann Vickers, a humanitarian who is just starting the adult phase of her life, wants to make a difference in the world - using her friend Dr. Malvina Wormser as a role model - but she also wants a fulfilling personal life. She isn't sure if she can accomplish both at the same time. So after a failed relationship with soldier Captain Lafe Resnick which includes a deeper personal tragedy for her, Ann decides instead to focus solely on her career. With a background in nursing and social work, she decides the area of her work will be in prison reform. Her lofty goals do not sit well with many of the male traditionalists in the field, they who may stop her from accomplishing what she wants, at her own personal reputation at risk. Although she has a multitude of wannabe suitors, it isn't until she meets Supreme Court judge Barney Dolphin that she contemplates having that fulfilling personal life at the same time as having a career. But the road to a possible happy ending for Ann ... Written by Huggo

Plot Summary | Add Synopsis

Taglines:

THE BOOK THAT SET FIRE TO THE NATION Is Burning Up The screen! (Print Ad- The Pampa Daily News,((Pampa, Texas)) 22 October 1933)

Genres:

Drama | Romance

Certificate:

Passed | See all certifications »
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Details

Country:

USA

Language:

English

Release Date:

6 October 1933 (USA) See more »

Also Known As:

Sinclair Lewis' Ann Vickers See more »

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Box Office

Budget:

$303,000 (estimated)
See more on IMDbPro »

Company Credits

Production Co:

RKO Radio Pictures See more »
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Technical Specs

Runtime:

Sound Mix:

Mono (RCA Victor System)

Aspect Ratio:

1.37 : 1
See full technical specs »
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Did You Know?

Trivia

Sarah Padden, who is listed as a black woman, supposedly played her role in black-face, since she is not black. She was not seen in the film, but may have been the prisoner executed by hanging. She is seen in long shot and is not recognizable. 'Reginald Barlow' is barely recognizable as the Chaplain following her and reciting a prayer. J. Carrol Naish has a very brief scene lying in bed in an alcoholic stupor. He has no lines. It is a credit to their agents that these three all received on-screen credits. See more »

Goofs

Although the first part of the picture takes place in 1918, all of Irene Dunne's hairstyles and clothes are strictly in the 1933 mode, and continue as such through the decade of the 1920s which follows. See more »

Quotes

Barney Dolphin: [last lines]
Matthew Dolphin: Who are you?
Barney Dolphin: Well, son, i refuse to answer without advice of counsel.
See more »

Crazy Credits

The opening credits are printed in the pages of the novel. They are revealed by a man's hand who's opening the book and turning the pages. See more »

Connections

Features Her Man (1930) See more »

Soundtracks

Pack Up Your Troubles In Your Old Kit Bag and Smile, Smile, Smile!
(1915) (uncredited)
Music by Felix Powell
Lyrics by George Asaf
Sung by off-screen soldiers at the Lorlears Hook Settlement House
See more »

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User Reviews

 
Would've Made a Good Prison Movie
21 December 2013 | by utgard14See all my reviews

Lackluster romantic drama with feminist elements. Basically it's Irene Dunne spouting off about wanting to have her own career and being involved in relationships with douchebags. All of the success she has career wise is ultimately attributed to a man and the film's message seems to be that a woman's happiness only comes from the love of a man, so I really don't see where feminists are supposed to find much to love about this film. The brief middle part of the film dealing with the brutal goings-on at a women's prison are most interesting. They should've made an entire film of that. The rest is forgettable. The cast is fine. No standouts. Edna May Oliver is wasted, which is just criminal.


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